“Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.”

— Samuel Butler , book The Way of All Flesh

Source: The Way of All Flesh (1903), Ch. 14

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait …" by Samuel Butler?

Samuel Butler 232

novelist 1835–1902

Related quotes

“Every man's work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself.”

Samuel Butler book The Way of All Flesh

Source: The Way of All Flesh (1903), Ch. 14
Context: Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.

“Man is always more than he can know of himself; consequently, his accomplishments, time and again, will come as a surprise to him.”

Golo Mann (1909–1994) German historian

Golo Mann in his Recollections, quoted in: Marcel Reich-Ranicki (1989), Thomas Mann and his family, p. 187.

“What man is to be, he must become; and as he is to be a being for himself, must become through himself. Nature completed all her works; only from man did she withdraw her hands, and precisely thereby gave him over to himself. Cultivability, as such, is the character of mankind. The impossibility of subsuming to the human form any other conception than that of his own Ego, is it, which forces every man inwardly to consider every other man as his equal.”

Johann Gottlieb Fichte (1762–1814) German philosopher

Source: The Science of Rights 1796, P. 119

“Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Five, p. 136

“We leave the question whether a man shall be a brain or hand worker entirely to him to settle. At the end of the term of three years as a common laborer, which every man must serve, it is for him to choose, in accordance to his natural tastes, whether he will fit himself for an art or profession, or be a farmer or mechanic. If he feels that he can do better work with his brains than his muscles, he finds every facility provided for testing the reality of his supposed bent, of cultivating it, and if fit of pursuing it as his avocation. The schools of technology, of medicine, of art, of music, of histrionics, and of higher liberal learning are always open to aspirants without condition.”

Edward Bellamy (1850–1898) American author and socialist

Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 7.

“A new danger now beset him [Grotius],—the danger of becoming simply a venal pleader, a creature who grinds out arguments on this or that side, for this or that client:—a mere legal beast of prey. Fortunately for himself and for the world he took a higher view of his life-work: his determination clearly was to make himself a thoroughly equipped jurist, and then, as he rose more and more in his profession, to use his powers for the good of his country and of mankind.”

Andrew Dickson White (1832–1918) American politician

Source: Seven Great Statesmen in the Warfare of Humanity with Unreason (1915), p. 59

Mark Twain (1835–1910) American author and humorist

"The Privilege of the Grave" (1905)

“Man tries to make for himself in the fashion that suits him best a simplified and intelligible picture of the world; he then tries to some extent to substitute this cosmos of his for the world of experience, and thus to overcome it. This is what the painter, the poet, the speculative philosopher, and the natural scientist do, each in his own fashion.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Variant translation: One of the strongest motives that lead men to art and science is escape from everyday life with its painful crudity and hopeless dreariness, from the fetters of one's own ever-shifting desires. A finely tempered nature longs to escape from the personal life into the world of objective perception and thought. With this negative motive goes a positive one. Man seeks to form for himself, in whatever manner is suitable for him, a simplified and lucid image of the world, and so to overcome the world of experience by striving to replace it to some extent by this image. This is what the painter does, and the poet, the speculative philosopher, the natural scientist, each in his own way. Into this image and its formation, he places the center of gravity of his emotional life, in order to attain the peace and serenity that he cannot find within the narrow confines of swirling personal experience.
As quoted in The Professor, the Institute, and DNA (1976) by Rene Dubos; also in The Great Influenza (2004) by John M. Barry
1910s, Principles of Research (1918)
Context: Man tries to make for himself in the fashion that suits him best a simplified and intelligible picture of the world; he then tries to some extent to substitute this cosmos of his for the world of experience, and thus to overcome it. This is what the painter, the poet, the speculative philosopher, and the natural scientist do, each in his own fashion. Each makes this cosmos and its construction the pivot of his emotional life, in order to find in this way the peace and security which he cannot find in the narrow whirlpool of personal experience.

“The petit-bourgeois is a man unable to imagine the Other. If he comes face to face with him, he blinds himself, ignores and denies him, or else transforms him into himself.”

Roland Barthes (1915–1980) French philosopher, critic and literary theorist

"Myth on the Right," in Mythologies (1957)

“Man in his arrogance thinks himself a great work worthy the interposition of a deity. More humble, and I believe truer, to consider him created from animals.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

" Notebook C http://darwin-online.org.uk/EditorialIntroductions/vanWyhe_notebooks.html" (1838), pp. 196–197; also quoted in Charles Darwin: a scientific biography (1958) by Sir Gavin De Beer, p. 208
Other letters, notebooks, journal articles, recollected statements

“Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.”

Help us to complete the source, original and additional information

Samuel Butler 232

Related quotes

Related topics