“Beautifully written... the webs of imagery that Harris has so carefully woven... contains writing of which our best writers would be proud... there is not a singly ugly or dead sentence...”

— Martin Amis

or so sang the critics. Hannibal is a genre novel, and all genre novels contain dead sentences - unless you feel the throb of life in such periods as 'Tommaso put the lid back on the cooler' or 'Eric Pickford answered' or 'Pazzi worked like a man possessed' or 'Margot laughed in spite of herself' or 'Bob Sneed broke the silence.' What these commentators must be thinking of, I suppose, are the bits when Harris goes all blubbery and portentous (every other phrase a spare tyre), or when, with a fugitive poeticism, he swoons us to a dying fall: 'Starling looked for a moment through the wall, past the wall, out to forever and composed herself...' 'It seemed forever ago...' 'He looked deep, deep into her eyes...' 'His dark eyes held her whole...' Needless to say, Harris has become a serial murderer of English sentences, and Hannibal is a necropolis of prose.
Review of Hannibal by Thomas Harris, p. 240
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

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Welsh novelist 1949

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“Beautifully written… the webs of imagery that Harris has so carefully woven… contains writing of which our best writers would be proud… there is not a singly ugly or dead sentence…' - or so sang the critics. Hannibal is a genre novel, and all genre novels contain dead sentences - unless you feel the throb of life in such periods as 'Tommaso put the lid back on the cooler' or 'Eric Pickford answered' or 'Pazzi worked like a man possessed' or 'Margot laughed in spite of herself' or 'Bob Sneed broke the silence.' What these commentators must be thinking of, I suppose, are the bits when Harris goes all blubbery and portentous (every other phrase a spare tyre), or when, with a fugitive poeticism, he swoons us to a dying fall: 'Starling looked for a moment through the wall, past the wall, out to forever and composed herself…' 'It seemed forever ago…' 'He looked deep, deep into her eyes…' 'His dark eyes held her whole…' Needless to say, Harris has become a serial murderer of English sentences, and Hannibal is a necropolis of prose.”

Martin Amis (1949) Welsh novelist

Review of Hannibal by Thomas Harris, p. 240
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“It is a general observation that people write as they read. As a rule, careful writers are careful readers and vice versa. A careful writer wants to be read carefully. He cannot know what it means to be read carefully but by having done careful reading himself. Reading precedes writing. We read before we write. We learn to write by reading. A man learns to write well by reading well good books, by reading most carefully books which are most carefully written.”

Leo Strauss book Persecution and the Art of Writing

Source: Persecution and the Art of Writing (1952), How to Study Spinoza's Theologico-Political Treatise, p. 144

“Of course, the vision of many works, such as the sense of picture and imagery, is actually unconscious by the writer. If the writer is conscious, he will write very artificial things.”

Geling Yan (1958) Chinese writer and screenwriter

Source: "Yan Geling: I Am Also A Person In The Cave" https://www.bannedbook.org/en/bnews/lifebaike/20211010/1635954.html (10 October 2021)

“But the book lived always, so beautifully had it been written, and so astounding the quality of imagination with which these men of mind and genius had endowed it. They had neglected to give it a name, but after they were dead it became known as the Bible.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Quoted, The Beautiful and Damned (1922)

“I gather a repulsive nobody writing in a paper no one of any decency would be seen dead with has written something loathesome and inhumane.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

On Jan Moir's column on the death of Stephen Gately. <br class="br">Quoted in The Huffington Post http://www.huffingtonpost.com/2009/10/16/jan-moir-column-on-stephe_n_323964.html <br class="br">2000s