
As quoted in The Linguist and the Emperor : Napoleon and Champollion's Quest to Decipher the Rosetta Stone (2004) by Daniel Meyerson
Attributed
Book 3, Chapter 4 “Two Black Swords” (p. 114)
The Elric Cycle, Elric of Melniboné (1972)
As quoted in The Linguist and the Emperor : Napoleon and Champollion's Quest to Decipher the Rosetta Stone (2004) by Daniel Meyerson
Attributed
Napoleon : In His Own Words (1916)
Libertys Declaration of Purpose (1881)
Context: LIBERTY enters the field of journalism to speak for herself because she finds no one willing to speak for her. She hears no voice that always champions her; she knows no pen that always writes in her defence; she sees no hand that is always lifted to avenge her wrongs or vindicate her rights. Many claim to speak in her name, but few really understand her. Still fewer have the courage and the opportunity to consistently fight for her. Her battle, then, is her own, to wage and win. She — accepts it fearlessly and with a determined spirit.
Her foe, Authority, takes many shapes, but, broadly speaking, her enemies divide themselves into three classes: first, those who abhor her both as a means and as an end of progress, opposing her openly, avowedly, sincerely, consistently, universally; second, those who profess to believe in her as a means of progress, but who accept her only so far as they think she will subserve their own selfish interests, denying her and her blessings to the rest of the world; third, those who distrust her as a means of progress, believing in her only as an end to be obtained by first trampling upon, violating, and outraging her. These three phases of opposition to Liberty are met in almost every sphere of thought and human activity.
As quoted in The Whole duty of a woman: female writers in seventeenth century England, p. 157, by Angeline Goreau. Editorial Dial Press, 1985. ISBN 0385278780.
Original text: On voit que l'histoire est une galerie de tableaux où il y a peu d'originaux et beaucoup de copies.
Variant translation: History is a gallery of pictures in which there are few originals and many copies.
Old Regime (1856), p. 88 http://books.google.com/books?id=N50aibeL8BAC&pg=PA88&vq=%22history,+it+is+easily+perceived%22&source=gbs_search_r&cad=1_1
1850s and later
"Mount Shasta" in Picturesque California (1888-1890) page 148; reprinted in Steep Trails (1918), chapter 3
1880s