“Along with plot, I am always thinking about structure. Sometimes the story guides you to the best structure for its telling. Using letters seemed like the best way to tell this story. When writing these letters, the characters are selecting what they want to tell. In this case, the woman is writing in a way that would not endanger her or her family if her letters were found by the military authorities who took over the country, and the man is writing with the urgency of someone who could die at any minute while at sea.”

— Edwidge Danticat

On using an epistolary form for her short story “Children of the Sea” in “An Interview | Edwidge Danticat” http://www.bkreview.org/fall-2018/an-interview-with-edwidge-danticat/ in The Brooklyn Review (Fall 2018)
Interviews

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Edwidge Danticat 13

Novelist, short story writer, memoirist 1969

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“Tell, rather than write, because I have nothing to write with and writing is in any case forbidden. But if it’s a story, even in my head, I must be telling it to someone. You don’t tell a story only to yourself. There’s always someone else.
Even when there is no one.”

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“I don’t write stories to tell readers what to think, or even tell them what I think; I write stories to show me what I think. Writing is always a journey of discovery that way, as suspenseful for me as I hope it will be for the audience.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

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“If you tell stories about a really cool kid that you can relate to, and then you hear about kids being mean to that kid, then you feel what it is like to walk in his shoes. And you think, that is not right. I think the best way to write is to want to build empathy for your characters. You want the readers to feel the things they are feeling.”

R. J. Palacio (1963) American author

On thinking about kids who are different in “Author R.J. Palacio talks to LI kids” https://www.newsday.com/lifestyle/family/kidsday/rj-palacio-wonder-author-interview-1.20364470 in Newsday (2018 Aug 8)

“A woman is not to marry a man merely because she is asked, or because he is attached to her, and can write a tolerable letter.”

Jane Austen book Emma

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“She wanted letters. Real letters written in his handwriting on actual paper that she could hold and keep and read whenever the mood struck her. They were proof, solid and tangible, that someone was thinking about her.”

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Source: To All the Boys I've Loved Before

“I've also gotten weird letters, suicide letters, girls threatening to jump if I don't get in touch with them. So you think, "This is bullshit," but then you think, "What if it's not? Who wants to take that chance?" I write them back, tell them to hang in there, if things are that bad, they have to get better. But I'm not altogether stable myself, so who am I to give advice?”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Johanna Schneller, "Johnny Depp: Girls' Best Friend," http://www.deppimpact.com/mags/transcripts/rollingstone_dec88.html Rolling Stone (December 1988)

“I do not write a story to make evident whatever disapproval I may feel for adulterous men. I write a story of a man who is adulterous to reveal the condition of such a man. If the adulterous man is a Jew, then I am revealing the condition of an adulterous man who is a Jew. Why tell that story? Because I seem to be interested in how — and why and when — a man acts counter to what he considers to be his "best self," or what others assume it to be, or would like for it to be. The subject is hardly "mine"; it interested readers and writers for a long time before it became my turn to be engaged by it, too.”

Philip Roth (1933–2018) American novelist

Writing About Jews (1963)

“What kind of a society is this where a person can’t express attraction without fearing that they’re going to be murdered for it? If the person who came out with the secret was a Jewish woman or a black woman or an Asian woman, and he went over to her house the next day and killed her because he was so repulsed and she had embarrassed him that way on national television, nobody would be writing stories on the TV show’s responsibility. Everyone would be writing stories about this racist, this anti-Semite.”

Jeffrey Montgomery (1953–2016) American LGBT rights activist and public relations executive

The New York Times, 1995 [Remembering Jeff Montgomery, LGBTQ rights advocate, Ennis, Dawn, LGBTQ Nation, July 19, 2016, 2016-07-19, http://www.lgbtqnation.com/2016/07/remembering-jeff-montgomery-lgbtq-rights-advocate/]

“A play is like a free-flowing poem in some ways. The play, as you write, will tell you what the structure will be. But, sometimes you forget to ask those questions as you write and you end up spending a lot of time trying to find the essence of the play…”

Mando Alvarado actor

On how playwriting differs from television writing in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times

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