(zh-TW) 微乎微乎,至於無形;神乎神乎,至於無聲;故能為敵之司命。
Alternative translation: Subtle and insubstantial, the expert leaves no trace; divinely mysterious, he is inaudible. Thus he is master of his enemy's fate.
Alternative translation: O divine art of subtlety and secrecy! Through you we learn to be invisible, through you inaudible and hence we can hold the enemy's fate in our hands.
The Art of War, Chapter VI · Weaknesses and Strengths
“Be extremely subtle, even to the point of formlessness. Be extremely mysterious, even to the point of soundlessness.”
Alternative translation: Subtle and insubstantial, the expert leaves no trace; divinely mysterious, he is inaudible. Thus he is master of his enemy's fate.
Alternative translation: O divine art of subtlety and secrecy! Through you we learn to be invisible, through you inaudible and hence we can hold the enemy's fate in our hands.
The Art of War, Chapter VI · Weaknesses and Strengths
Context: Be extremely subtle, even to the point of formlessness. Be extremely mysterious, even to the point of soundlessness. Thereby you can be the director of the opponent's fate.
Original
微乎微乎,至于无形;神乎神乎,至于无声;故能为敌之司命。
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Sun Tzu 68
ancient Chinese military general, strategist and philosophe… -543–-495 BCRelated quotes
“Extreme joy and extreme sorrow are indistinguishable beyond a certain point.”
[Exclusive interview with Oliver Blackburn, Total Film, http://www.totalfilm.com/trailers/donkey-punch-exclusive-interview-with-oliver-blackburn, 2011, Future Publishing Limited, 23 February 2012]
“In films we see extremes, because it’s where you have turning points.”
As quoted in "Emotional Intelligence" by James Mottram, in The Sunday Herald (8 January 2006)
Context: I think the characters I play go through tunnels, like in Three Colours : Blue, for example, where she’s lost everything... In The English Patient, she loses her best friend; this patient is dying in front of her – there’s no hope, so she’s going to start from the bottom. In films we see extremes, because it’s where you have turning points. Before I thought there was a common denominator between my films — as if all my characters were sisters – but I’m not so sure now.
Source: Unbroken: A World War II Story of Survival, Resilience, and Redemption
Part 2, Book 1, Ch. 2
Ninety-Three (1874)
Context: Cimourdain was one of those men who have a voice within them, and who listen to it. Such men seem absent-minded; they are not; they are all attention.
Cimourdain knew everything and nothing. He knew everything about science, and nothing at all about life. Hence his inflexibility. His eyes were bandaged like Homer's Themis. He had the blind certainty of the arrow, which sees only the mark and flies to it. In a revolution, nothing is more terrible than a straight line. Cimourdain went straight ahead, as sure as fate.
Cimourdain believed that, in social geneses, the extreme point is the solid earth; an error peculiar to minds which replace reason with logic.