“He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw.”

— William Saroyan

On painter Rufino Tamayo.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)
Context: He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"

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William Saroyan 190

American writer 1908–1981

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“He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw.”

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William Saroyan 190

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