“The painter should not paint what he sees, but what will be seen.”
Paul Valéry (1871–1945) French poet, essayist, and philosopher
Mauvaises Pensées et Autres (1941)
“The painter should not paint what he sees, but what will be seen.”
Paul Valéry (1871–1945) French poet, essayist, and philosopher
Mauvaises Pensées et Autres (1941)
William Saroyan (1908–1981) American writer
On painter Rufino Tamayo.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)
Context: He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"
“Paint what you feel. Paint what you see. Paint what is real to you.”
Robert Henri (1865–1929) American painter
Source: Henri, Robert (2007) [1923], p. 285.
Caspar David Friedrich (1774–1840) Swedish painter
Quote from "The Awe-Struck Witness" in TIME magazine (28 October 1974) http://www.time.com/time/magazine/article/0,9171,908926-1,00.html and in "On the Brink: The Artist and the Seas" by Eldon N. Van Liere in Poetics of the Elements in the Human Condition: The Sea (1985) ed. Anna-Teresa Tymieniecka<br>Variant translations:<br>The artist should not only paint what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also omit to paint that which he sees before him.<br>As quoted in German Romantic Painting (1994) by William Vaughan, p. 68 <br class="br">undated <br class="br">Context: The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
Titian (1488–1576) Italian painter
As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 71.
As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 72.
undated quotes
Variant: They who are compelled to paint by force, without being in the necessary mood, can produce only ungainly works, because this profession requires an unruffled temper.
Jasper Johns (1930) American artist
Quote of Jasper Johns, as cited in Trend to the Anti-Art: Targets and Flags, Newsweek 51 no. 13, March 1958, p. 96
1950s
Bram van Velde (1895–1981) Dutch painter
short quotes, 31 October 1966; p. 58
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
Mark Rothko (1903–1970) American painter
Joint statement with Adolph Gottlieb, to Edwin A. Jewell, often referred to as a Manifesto. (written 7 June 1943; published 13 June 1943)
1940's
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Quoted in: Ann Livermore (1988), Artists and Aesthetics in Spain. p. 154
Attributed from posthumous publications