
On her earliest influences in “JOSEFINA LÓPEZ – IN HER OWN WORDS” http://latinopia.com/latino-theater/josefina-lopez/ in Latinopia (2010 Mar 6)
Foreword http://www.psychedelic-library.org/childf.htm
LSD : My Problem Child (1980)
Context: There are experiences that most of us are hesitant to speak about, because they do not conform to everyday reality and defy rational explanation. These are not particular external occurrences, but rather events of our inner lives, which are generally dismissed as figments of the imagination and barred from our memory. Suddenly, the familiar view of our surroundings is transformed in a strange, delightful, or alarming way: it appears to us in a new light, takes on a special meaning. Such an experience can be as light and fleeting as a breath of air, or it can imprint itself deeply upon our minds.
One enchantment of that kind, which I experienced in childhood, has remained remarkably vivid in my memory ever since. It happened on a May morning — I have forgotten the year — but I can still point to the exact spot where it occurred, on a forest path on Martinsberg above Baden, Switzerland. As I strolled through the freshly greened woods filled with bird song and lit up by the morning sun, all at once everything appeared in an uncommonly clear light. Was this something I had simply failed to notice before? Was I suddenly discovering the spring forest as it actually looked? It shone with the most beautiful radiance, speaking to the heart, as though it wanted to encompass me in its majesty. I was filled with an indescribable sensation of joy, oneness, and blissful security.
I have no idea how long I stood there spellbound. But I recall the anxious concern I felt as the radiance slowly dissolved and I hiked on: how could a vision that was so real and convincing, so directly and deeply felt — how could it end so soon? And how could I tell anyone about it, as my overflowing joy compelled me to do, since I knew there were no words to describe what I had seen? It seemed strange that I, as a child, had seen something so marvelous, something that adults obviously did not perceive — for I had never heard them mention it.
While still a child, I experienced several more of these deeply euphoric moments on my rambles through forest and meadow. It was these experiences that shaped the main outlines of my world view and convinced me of the existence of a miraculous, powerful, unfathomable reality that was hidden from everyday sight.
On her earliest influences in “JOSEFINA LÓPEZ – IN HER OWN WORDS” http://latinopia.com/latino-theater/josefina-lopez/ in Latinopia (2010 Mar 6)
Quaker Faith and Practice http://www.quaker.org.uk/qfp/chap19/19.01.html#19.02, Britain Yearly Meeting of the Religious Society of Friends
Context: But as I had forsaken the priests, so I left the separate preachers also, and those esteemed the most experienced people; for I saw there was none among them all that could speak to my condition. And when all my hopes in them and in all men were gone, so that I had nothing outwardly to help me, nor could tell what to do, then, oh, then, I heard a voice which said, "There is one, even Christ Jesus, that can speak to thy condition"; and when I heard it my heart did leap for joy. Then the Lord let me see why there was none upon the earth that could speak to my condition, namely, that I might give Him all the glory; for all are concluded under sin, and shut up in unbelief as I had been, that Jesus Christ might have the pre-eminence who enlightens, and gives grace, and faith, and power. Thus when God doth work, who shall let [hinder] it? and this I knew experimentally [through experience].
Benicka (1980) commented:
The frescoes of Raphael and the Pompeian murals that he saw there definitely confirmed what Renoir had begun to feel about his own art; that it was becoming too amorphous in character and was weak in design.
undated quotes
Source: ''Renoir'', by A. Vollard, Paris, 1920, p. 135; as quoted in: Corinne Benicka (1980) Great modern masters. p. 130;
“I knew what it was going to do, what it was going to tell me.”
Be Here Now (1971)
Context: I had plenty of LSD, but why take it. I knew what it was going to do, what it was going to tell me. It was going to show me that garden again and then I was going to be cast out and that was it.
"Clair" (song)
(+ Live performance in Japan, 1993. On YouTube) https://www.youtube.com/watch?v=qpdBX-u1dv8
Song lyrics
Source: Gilbert O'Sullivan, "Clair" https://www.youtube.com/watch?v=CmeZaAry830 (song on YouTube.))
On developing her inner experiences, as narrated in later years to her disciples at Sri Aurobindo Ashram, in "Birth and Girlhood", also in The Mother On Herself http://www.miraura.org/bio/herself.html
from: 'Lebenserinnerungen', 1938
Source: 1936 - 1941, Life Memories' (1938), p. 186