
1990s, A Distinctly American Internationalism (November 1999)
David Bomberg "The Bomberg Papers", ed. Patrick Swift, X: A Quarterly Review, Vol 1, No 3, June 1960
Context: Speaking generally Art endevours to reveal what is true and needs to be free. All things said regarding Art are subject to contradiction. An artist whose integrity sustains his strength to make no compromise with expediency is never degraded. His life work will resemble the integrating character of the primaries in the Spectrum. At the beginning, of the middle period, and at the end… I approach drawing solely for structure. I am perhaps the most unpopular artist in England – and only because I am draughtsman first and painter second. Drawing demands a theory of approach, until good drawing becomes habit – it denies all rules. It requires high discipline… Drawing demands freedom, freedom demands liberty to expand in space – this is progress. By the extension of democracy – good draughtsmanship is – Democracy’s visual sign. To draw with integrity replaces bad habits with good, youth preserved from corruption. The hand works at high tension and organises as it simplifies, reducing to barest essentials, stripping all irrelevant matter obstructing the rapidly forming organisation which reveals the design. This is drawing.
1990s, A Distinctly American Internationalism (November 1999)
"The Bomberg Papers", An Anthology From X (Oxford University Press, 1988), p. 90.
“Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad.”
Quote from People, 27 September 1976
Quotes of Salvador Dali, 1971 - 1980
“For such is the work of philosophy: it cures souls, draws off vain anxieties, confers freedom from desires, drives away fears.”
Nam efficit hoc philosophia: medetur animis, inanes sollicitudines detrahit, cupiditatibus liberat, pellit timores.
Book II, Chapter IV; translation by Andrew P. Peabody
Tusculanae Disputationes – Tusculan Disputations (45 BC)
“LIBERTY!
FREEDOM!
DEMOCRACY!
True anyhow no matter how many
Liars use those words.”
Source: (1962), Ch. 2 The Role of Government in a Free Society, p. 33
F 123
Aphorisms (1765-1799), Notebook F (1776-1779)
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 221 in: 'What he told me – III. The Studio'
Either/Or Part I, Swenson Translation p. 19 Variations include: People demand freedom of speech to make up for the freedom of thought, which they avoid. People demand freedom of speech as a compensation for the freedom of thought which they seldom use.
1840s, Either/Or (1843)