The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: Witchcraft offers the model of a religion of poetry, not theology. It presents metaphors, not doctrines, and leaves open the possibility of reconciliation of science and religion, of many ways of knowing. <!-- p. 209
“The interpretation of metaphors shifts from the univocality of catachreses to the open possibilities offered by inventive metaphors.”
[O] : Introduction, 0.2
Semiotics and the Philosophy of Language (1984)
Context: The principle of interpretation says that "a sign is something by knowing which we know something more" (Peirce). The Peircean idea of semiosis is the idea of an infinite process of interpretation. It seems that the symbolic mode is the paramount example of this possibility.
However, interpretation is not reducible to the responses elicited by the textual strategies accorded to the symbolic mode. The interpretation of metaphors shifts from the univocality of catachreses to the open possibilities offered by inventive metaphors. Many texts have undoubtedly many possible senses, but it is still possible to decide which one has to be selected if one approaches the text in the light of a given topic, as well as it is possible to tell of certain texts how many isotopies they display.
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Umberto Eco 120
Italian semiotician, essayist, philosopher, literary critic… 1932–2016Related quotes

“Maybe happiness too is a metaphor invented on a day of boredom”
Source: November

“A bridge is a meeting place… a possibility, a metaphor.”
Source: The Passion (1987)
Context: We didn't build our bridges simply to avoid walking on water. Nothing so obvious. A bridge is a meeting place. A neutral place. A casual place. Enemies will choose to meet on a bridge and end their quarrel in that void... For lovers, a bridge is a possibility, a metaphor of their chances. And for the traffic in whispered goods, where else but a bridge in the night? (p.57)

“All slang is metaphor, and all metaphor is poetry.”
" A Defense of Slang http://books.google.com/books?id=8WpaAAAAMAAJ&q="all+slang+is+metaphor+and+all+metaphor+is+poetry"&pg=PA110#v=onepage"
The Defendant (1901)

Source: 1960s, Counterblast (1969), p. 14
“Either ghosts are a metaphor for history, or history is a metaphor for ghosts.”
Source: Kilroy Was Here (1996), p. 133
"Glow, Big Glowworm", p. 264
Bully for Brontosaurus (1991)