“These chemicals disclose layers of beauty that art is powerless to capture and for which the beauty of Nature herself is a mere simulacrum.”

— Sam Harris

Sam Harris, Drugs and the Meaning of Life http://www.samharris.org/blog/item/drugs-and-the-meaning-of-life/ (5 July 2011)
2010s
Context: I have visited both extremes on the psychedelic continuum. The positive experiences were more sublime than I could have ever imagined or than I can now faithfully recall. These chemicals disclose layers of beauty that art is powerless to capture and for which the beauty of Nature herself is a mere simulacrum. It is one thing to be awestruck by the sight of a giant redwood and to be amazed at the details of its history and underlying biology. It is quite another to spend an apparent eternity in egoless communion with it. Positive psychedelic experiences often reveal how wondrously at ease in the universe a human being can be—and for most of us, normal waking consciousness does not offer so much as a glimmer of these deeper possibilities... But as the peaks are high, the valleys are deep. My “bad trips” were, without question, the most harrowing hours I have ever suffered—and they make the notion of hell, as a metaphor if not a destination, seem perfectly apt.

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Sam Harris 151

American author, philosopher and neuroscientist 1967

Edward Abbey (1927–1989) American author and essayist

“Fire Lookout: Numa Ridge”, p. 57
The Journey Home (1977)
Source: The Journey Home: Some Words in Defense of the American West

“… what one ought to capture in beauty is that which is treacherous and irresistible…”

László Krasznahorkai book War & War

Source: War & War

“Beautiful young people are accidents of nature, but beautiful old people are works of art.”

Eleanor Roosevelt (1884–1962) American politician, diplomat, and activist, and First Lady of the United States

“The best art, and the only art which will ever lead to great results, must have for its basis the interpretation of beauty in nature.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922), Introduction

“To select, combine and concentrate that which is beautiful in nature and admirable in art is as much the business of the landscape painter in his line as in the other departments of art.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote of Turner, c. 1810; as quoted in: Dennis Hugh Halloran (1970) The Classical Landscape Paintings of J.M.W. Turner. p. 75
1795 - 1820

“Art is contemplation. It is the pleasure of the mind which searches into nature and which there divines the spirit by which Nature herself is animated.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Preface, p. 7-8
Context: Art is contemplation. It is the pleasure of the mind which searches into nature and which there divines the spirit by which Nature herself is animated. It is the joy of the intellect which sees clearly into the Universe and which recreates it, with conscientious vision. Art is the most sublime mission of man, since it is the expression of thought seeking to understand the world and to make it understood.

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920

“The whole of French art is a matter of seeing Nature as beautiful, very beautiful, in fact. But on the whole this is not enough. You have to create your own Nature – Van Gogh!”

Alexej von Jawlensky (1864–1941) Russian painter

Jawlensky is looking back on his encounter with French art through his voyage with Marianne Werefkin to Normandy and Paris, in 1903 when he discovered Van Gogh
1900 - 1935
Source: Expressionism: A Revolution in German Art, Dietmer Elger, Taschen, 2002, p. 166

“Why can there not be a new art founded on the only principle which can produce great art—the principle that art is the interpretation or extraction of the essence of beauty in nature, and all else is secondary?”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)
Context: Why can there not be a new art founded on the only principle which can produce great art—the principle that art is the interpretation or extraction of the essence of beauty in nature, and all else is secondary?<!-- Introduction

“Both sexes work on their lines before they appear onstage. His lines are a lifetime of work; her introductory 'line' is her appearance--or her lack of lines. Just as careers give men power, so beauty gives women power. But just as the comparison between herself and the most beautiful women makes a woman feel powerless, so the comparison between himself and the most successful men makes a man feel powerless.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 106.

“These chemicals disclose layers of beauty that art is powerless to capture and for which the beauty of Nature herself is a mere simulacrum.”

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