“In the inescapable flux, there is something that abides; in the overwhelming permanence, there is an element that escapes into flux.”

— Alfred North Whitehead

1920s, Process and Reality: An Essay in Cosmology (1929)
Context: In the inescapable flux, there is something that abides; in the overwhelming permanence, there is an element that escapes into flux. Permanence can be snatched only out of flux; and the passing moment can find its adequate intensity only by its submission to permanence.

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Alfred North Whitehead112

English mathematician and philosopher 1861–1947

Robert Hughes (1938–2012) Australian critic, historian, writer

Things I Didn't Know (2006)

“Your life is inescapable. Unless you decide to escape it.”

David Levithan (1972) American author and editor

Every You, Every Me

“It's silly to try to escape other people's faults. They are inescapable. Just try to escape your own.”

Marcus Aurelius book Meditations

Hays translation
Source: Meditations (c. AD 121–180), Book VII, 71

“Man cannot live without a permanent trust in something indestructible in himself, though both the indestructible element and the trust may remain permanently hidden from him.”

Franz Kafka book The Zürau Aphorisms

50
The Zürau Aphorisms (1917 - 1918)
Context: Man cannot live without a permanent trust in something indestructible in himself, though both the indestructible element and the trust may remain permanently hidden from him. One of the ways in which this hiddenness can express itself is through faith in a personal god.

“The overwhelming pressure of mechanization evident in the newspaper and the magazine, has led to the creation of vast monopolies of communication. Their entrenched positions involve a continuous, systematic, ruthless destruction of elements of permanence essential to cultural activity.”

Harold Innis (1894–1952) Canadian professor of political economy

Changing Concepts of Time (1952) p. 15.
Changing Concepts of Time (1952)

“Religion is the vision of something which stands beyond, behind and within the passing flux of immediate things; something which is real, and yet waiting to be realized; something which is a remote possibility, and yet the greatest of present facts; something that gives meaning to all that passes, and yet eludes apprehension; something whose possession is the final good, and yet is beyond all reach; something which is the ultimate ideal, and the hopeless quest.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

1920s, Science and the Modern World (1925)

“In contrast to the flux and muddle of life, art is clarity and enduring presence. In the stream of life, few things are perceived clearly because few things stay put. Every mood or emotion is mixed or diluted by contrary and extraneous elements. The clarity of art—the precise evocation of mood in the novel, or of summer twilight in a painting—is like waking to a bright landscape after a long fitful slumber, or the fragrance of chicken soup after a week of head cold.”

Yi-Fu Tuan (1930) Chinese-American geographer

Passing Strange and Wonderful: Aesthetics, Nature, and Culture, ch. 10 (1993).

“Julian spoke with the clear, unequivocal lucidity of madmen who have escaped the hypocrisy of having to abide by a reality that makes no sense.”

Carlos Ruiz Zafón book The Shadow of the Wind

Source: The Shadow of the Wind

“I am probably the least sensuous of all living beings; being almost exclusively visual and quasi-abstract in imagination, and tending to view and enjoy all things as a passive, detached, and sometimes remote spectator. Those arts which appeal most to the ideational imagination—the sense of drama, pageantry, historic flux, collective organisation, or escape from the natural limitations of time, space, and natural law—are undoubtedly those which appeal chiefly to me. Even my strong love of architectural and decorative beauty is probably largely dependent upon the historical bearings of the forms and motifs in which I delight. I am not wholly insensible to abstract form, but seem to relish the associative element in art more instantly and acutely than the lyrical or mathematical element... I don't really revel in anything unless it reminds me of something else either real or visionary—unless it opens up visual avenues of linked pseudo-recollections leading to sensations of ego-expansion and liberation... usually bringing in the element of time, somehow based on the past, and harbouring hints of an elusive, intangible kind of adventurous expectancy.”

H.P. Lovecraft (1890–1937) American author

Letter to Virgil Finlay (25 September 1936), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 310
Non-Fiction, Letters

“I think I had been badly affected by.... the romance of Abstract Expressionism... particularly as it filtered out to places like Princeton and around the country, which was the idea of the 'artist as a terrifically sensitive ever-changing, ever ambitious person', particularly [described] in magazines like 'Art News' and 'Arts', which I read religiously.. I began to feel very strongly about finding a way that wasn't so wrapped up in the hullabaloo.... something that stable in a sense, something that wasn't constantly a record of your sensitivity, a record of flux.”

Frank Stella (1936) American artist

reacting on a question about 'gesture' panting
Quote in: Frank Stella, William S. Rubin, Museum of Modern Art, New York, 1970, p. 13
Quotes, 1960 - 1970

“In the inescapable flux, there is something that abides; in the overwhelming permanence, there is an element that escapes into flux.”

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