“Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos.”

—  Ralph Ellison

"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), pp. 699-700.
Context: Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations,…" by Ralph Ellison?
Ralph Ellison photo
Ralph Ellison 82
American novelist, literary critic, scholar and writer 1914–1994

Related quotes

Will Durant photo

“Civilization begins with order, grows with liberty, and dies with chaos.”

Will Durant book The Story of Philosophy

The Story of Philosophy (1926)

Peter F. Drucker photo

“Fascism is the result of the collapse of Europe's spiritual and social order… catastrophes broke through the everyday routine which makes men accept existing forms, institutions and tenets as unalterable natural laws. They suddenly exposed the vacuum behind the facade of society.”

Peter F. Drucker (1909–2005) American business consultant

Source: 1930s- 1950s, The End of Economic Man (1939), p. 24

George Gilfillan photo

“Perhaps the life of every thinking man may be divided into three eras —
the era of admiration
the era of action
the era of repose”

George Gilfillan (1813–1878) Scottish writer

Preface to A Gallery of Literary Portraits, William Tait, Edinburgh 1845
Other Quotes

Dorothy Parker photo

“The murdered man meets his death in an intriguing and novel manner, which the management asks its customers, as a personal favor, not to reveal to possible future audiences. It remains a secret, chummily shared by those that have seen the play and the four or five million who read it in its original form as a Saturday Evening Post story a year or so ago. p. 320”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922

Alan Watts photo

“I have suggested that behind almost all myth lies the mono-plot of the game of hide-and-seek.”

Alan Watts (1915–1973) British philosopher, writer and speaker

The Two Hands of God : The Myths of Polarity (1963), p. 29

“According to our analysis the uniformity of behaviour manifested by these groups was the outcome of a disparity in the rates of change possible in the technical organisation, on the one hand, and in the social organisation, on the other. The social sentiments and customs of work of the employees were unable to accommodate themselves to the rapid technical innovations introduced. The result was to incite a blind resistance to all innovations and to provoke the formation of a social organisation at a lower level in opposition to the technical organisation.”

Fritz Roethlisberger (1898–1974) American business theorist

Cited in: Urwick & Brech (1961: 186)
Management and the worker, 1939

Ralph Ellison photo

“We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), pp. 699-700.
Context: Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.

P. L. Travers photo

“I read myths and fairy tales and books about them a great deal now, but I very seldom read novels. I find modern novels bore me. I can read Tolstoy and the Russians, but mostly I read comparative mythology and comparative religion. I need matter to carry with me.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

The Paris Review interview (1982)

Murray Bookchin photo

“It would be incredibly naive to suppose that Leninism was the product of a single man. The disease lies much deeper, not only in the limitations of Marxian theory but in the limitations of the social era that produced Marxism.”

Murray Bookchin (1921–2006) American libertarian socialist author, orator, and philosopher

Listen, Marxist!

“Human cognition constitutes a natural information processing system that has evolved to mimic the architecture of biological evolution… Both evolution by natural selection and human cognition can be characterised by a series of basic principles. In the case of human cognition, these are:
The information store principle dealing with human long-term memory;
The borrowing and reorganising principle dealing with how we characteristically obtain information from other people;
The randomness as genesis principle dealing with how we create novel information;
The narrow limits of change principle dealing with the role of a limited working memory in processing novel information;
The environmental linking and organising principle that explains how we use organised information held in long-term memory to determine how we interact with our environment.”

John Sweller (1946) educational psychologist

John Sweller, "Evolutionary bases of human cognitive architecture: implications for computing education." Proceedings of the fourth international workshop on computing education research. ACM, 2008.

Related topics