“Small wonder that centuries afterwards the Greeks and Romans came here and gawked like peasants at a civilisation that made their efforts look like well-dressed mud huts. It still has that effect today. You come here from the great modern cities, full of the immense power of modern technology at your finger tips, press a button, turn a switch. And this place… stops you dead.”

“I can assure you that there is no career which you will adopt when you leave college that will bring you a more and greater sense of satisfaction and a greater feeling of participation in a great effort than will your work here or in your state or in your community…this generation of Americans — you here who will be in positions of responsibility for the rest of this century — will deal with the most difficult, sensitive, and dangerous problems that any society of people has ever dealt with at any age…The Greeks defined happiness as the full use of your powers along the lines of excellence, and I can imagine no place where you can use your powers more fully along lines more excellent in the 1960's than to be in the service of the United States.”

“Have you ever wondered what your subconscious mind looks like? Well today, I can show you.”

“A life without purpose is like a river without water, you came here to activate your gift, don’t let nobody stop you.”

“Calcutta, for me, was a particular idea of the modern city, and I found it in many forms, works, and genres. … by ‘modernity’ I have in mind something that was never new. True modernity was born with the aura of inherited decay and life. … if you look at paintings and photographs, and see old films of the city, you notice that these walls and buildings were never new – that Calcutta was born to look more or less as I saw it as a child. I’m not referring here to an air of timelessness; the patina that gave to Calcutta’s alleys, doorways, and houses their continuity and disposition is very different from the eternity that defines mausoleums and monuments. It’s this quality I’m trying to get at when I speak of modernity. … modernity in the nineteenth century is indistinguishable from nature; perhaps it is nature – in some ways, the culvert, which has emerged from the rock, seems more of its place than the mountain itself.”

“Karnak was the first great statement of what technology could do with unlimited manpower and the approval of the gods. Ironically, the modern equivalent lies, again, in the desert. This time, the nomads also settled by a river… a river of oil. But what had took the pharaohs 4,000 years to build took the Kuwaitis 4,000 days. What's happened in Kuwait, the change from a nomadic existence to being able to buy and use everything modern technology has to offer has come in much less than one generation. Kuwait represents the immense power of technology used in a way most of us have never experienced, because we've lived with the kind of change it can bring for more than a hundred years. Here it's been focused. Change has been instant and total. Kuwait has suddenly become like New York, or any other of the great urban islands on technology, totally dependent on that technology. Like them, without it, Kuwait would return to the desert.”

“Saigon is like all the other great modern cities of the world. It's the mess left from people getting rich.”

“To use an electronics analogy, closing a book on a bookmark is like pressing the Stop button, whereas when you leave the book facedown, you've only pressed Pause.”

“The phone rang in the comm. center. Ian consulted the monitor. "It's Dan." He pressed a button. "Kabra here."
Dan's voice crackled through the attic. "Don't say it like that," he complained. "Your name still gives me heartburn.”

“The credo of a modern person is a humane full life here and now.”