The Principle of Reason (1955–1956) as translated by Reginald Lilly (1991) <!-- Bloomington: Indiana UP -->
Context: The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.
Jupiter to Electra, Act 3
The Flies (1943)
Context: You are a tiny little girl, Electra. Other little girls dreamed of being the richest or the most beautiful women of all. And you, fascinated by the horrid destiny of your people, you wished to become the most pained and the most criminal … At your age, children still play with dolls and they play hopscotch. You, poor child, without toys or playmates, you played murder, because it is a game that one can play alone.
“Eternity is a child playing, playing checkers; the kingdom belongs to a child.”
Quoted by Hippolytus, Refutation of all heresies, IX, 9, 4 (Fragment 52), as translated in Reality (1994), by Carl Avren Levenson and Jonathan Westphal, p. 10
Variants:
History is a child building a sand-castle by the sea, and that child is the whole majesty of man’s power in the world.
As quoted in Contemporary Literature in Translation (1976), p. 21
A lifetime is a child playing, playing checkers; the kingdom belongs to a child.
As quoted in The Beginning of All Wisdom: Timeless Advice from the Ancient Greeks (2003) by Steven Stavropoulos, p. 95
Time is a game played beautifully by children.
As quoted in Fragments (2001) translated by Brooks Haxton
Lifetime is a child at play, moving pieces in a game. Kingship belongs to the child.
As quoted in The Art and Thought of Heraclitus (1979) translated by Charles H. Kahn
1840s, Essays: First Series (1841), History
On The Crucible, in a 1987 interview; as quoted in "Arthur Miller, Moral Voice of American Stage, Dies at 89" by Marilyn Berger in The New York Times (11 February 2005) http://www.nytimes.com/2005/02/11/theater/newsandfeatures/11cnd-miller.html?ei=5070&en=3842d0df3195ba4c&ex=1148356800&adxnnlx=1148209567-ZnjnGzbndB3P1XvCU5BNDg&pagewanted=all&position=
Context: I was very moved by that play once again when the Royal Shakespeare Company did a production that toured the cathedrals of England. Then they took it to Poland and performed it in the cathedrals there, too. The actors said it changed their lives. Officials wept; they were speechless after the play, and everyone knew why. It was because they had to enforce the kind of repression the play was attacking. That made me prouder than anything I ever did in my life. The mission of the theater, after all, is to change, to raise the consciousness of people to their human possibilities.
“Nearly right is child's play.”
Modern Art and America: Alfred Stieglitz and His New York Galleries, Sarah Greenough, Washington: National Gallery of Art. 2000, pp. 26–53; as quoted on Wikipedia
“Learning is not child's play; we cannot learn without pain.”
As quoted in "Clemente Says Hitting Does Not Come Easy"
Baseball-related, <big><big>1960s</big></big>, <big>1968</big>
“Fiction is to the grown man what play is to the child”
A Gossip on Romance, printed in Longman's Magazine (November 1882).
Context: Fiction is to the grown man what play is to the child; it is there that he changes the atmosphere and tenor of his life.
