Interview at Newsarama (15 July 2006)
Context: When I finished with Captain Marvel I had turned him from a warrior into a mystic. Adam Warlock was a mystical messiah. Where to go from there? Decided to reverse course and turn him into a suicidal paranoid/schizophrenic, which was the way I was feeling at the time. I’ve always used my work to examine what is currently going on in my own life. It’s cheaper than going to a shrink. The Death of Captain Marvel was a great way of working through my own father’s death.
Toronto Star (11/11/2010) commenting on her first seven studio albums.
As quoted in Vogue (14 March 1963)
1960s
Variant: Always fall in with what you're asked to accept. Take what is given, and make it over your way. My aim in life has always been to hold my own with whatever's going. Not against: with.
Notes And Comments, p. 179
Dark Age Ahead (2004)
"People Who Matter: An Interview with Doris Day" by Cameron Woo and Nellie McKay in The Bark, Issue 34, (January - February 2006) http://www.thebark.com/content/people-who-matter-interview-doris-day
Context: I’ve been through everything. I always said I was like those round-bottomed circus dolls — you know, those dolls you could push down and they’d come back up? I’ve always been like that. I’ve always said, "No matter what happens, if I get pushed down, I’m going to come right back up."
In response to the question, "How do you approach your roles?" from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2
Context: I always look at it as — it's like a treasure map, and each little detail in it, you sort of look at it for information and it points you in the right direction, to tell you where you need to go. You start out with a few choices, obviously — I need to learn the clarinet or I need to learn the cello, or I need to learn how to stay underwater without panicking — but it is like painting in a way, that at a certain point, the painting begins to tell you what to do. And with acting, it's the same — with acting in film, anyway — at a certain point then, what you've already put on screen begins to dictate to you where you need to go, and then it just starts to create itself in a way. And what I try to do is find a strand of myself, as different as I might feel the character is from me, and as removed as it is, I always try to find that one part of me. And then you kind of build on to that, because it's a way to keep you connected. And you never want to lose that connection. There's always some sort of parallel that's going on in my own life, and so you can use it to, you know, bring closure, perhaps, to certain things that you haven't. A healing, a reconnection. And I believe in that. I believe in that.
[Knuth, Donald, 2002, All Questions Answered, Notices of the AMS, 49, 3, 320, http://www.ams.org/notices/200203/fea-knuth.pdf, PDF]
