“I conceived this story [ MW ] with the intention of presenting readers a picaresque drama that distort the traditional atmosphere of my stories leave them stunned.
I wish that all the ills of society - conformism, laziness, indolence, betrayal, violence, lust, rape - and especially the evils of politics will be represented in the form of an absolute depravity.
Now I feel a great regret. My style inadequate forces me to complete the work without being able …”

— Osamu Tezuka , MW

From the Afterword to April 1978 MW , vol. 3, translation by Francesco Nicodemus, Hazard Editions, Milan, 2005, p. 193. ISBN 887502037X

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Osamu Tezuka 18

Japanese cartoonist and animator 1928–1989

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“I wish that all the ills of society - conformism, laziness, indolence, betrayal, violence, lust, rape - and especially the evils of politics will be represented in the form of an absolute depravity.”

Osamu Tezuka MW

From the Afterword to April 1978 MW , vol. 3, translation by Francesco Nicodemus, Hazard Editions, Milan, 2005, p. 193. ISBN 887502037X

“Now I feel a great regret. My style inadequate forces me to complete the work without being able ...”

Osamu Tezuka MW

From the Afterword to April 1978 MW , vol. 3, translation by Francesco Nicodemus, Hazard Editions, Milan, 2005, p. 193. ISBN 887502037X

“I feel a kind of intellectual regret, not an emotional regret, at having left my parents and that world behind. But it's not a great weight on my soul. In a way I wish it were. To leave one’s background without guilt is an indication of shallowness of character, I suspect.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

“Incomplete stories are make history of life. Their incompleteness makes them complete and generates curiosity in the readers, if the story is complete then it is read and kept aside, the incomplete story leaves its mark on the heart and mind of the reader and reader's start waiting for the end.”

Shabdon Ka Jahan

“Explaining just what I had hoped the story to say is very difficult. I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.”

Shirley Jackson (1916–1965) novelist, short story writer

Regarding her story The Lottery, in the San Francisco Chronicle (22 July 1948)

“[On his process for writing novels:] I can't imagine what the first sentence is, I can't imagine where I want the reader to enter the story, if I don't know where the reader is going to leave the story. So once I know what the last thing the reader hears is, I can work my way backward, like following a roadmap in reverse.”

John Irving (1942) American novelist and screenwriter

A modern novelist of Dickensian tradition, Spotlight, Russia Today, January 24, 2009 http://www.youtube.com/watch?v=ost0Gyl2V1I,

“Oral tradition is really how Chicano literature came to be. I was not exposed to the written word, but I had the greatest teacher. I always tell people that my mother was my inspiration because she was the best chismosa, and she had the best stories. And if anyone taught me about drama, it was my mother because she knew how to tell a story. And my grandfather also told stories. One of the reasons why I waned to be a writer was because I was fascinated by stories of La Llorona, supernatural stories and things like that and I love hearing chisme (gossip)…”

Josefina Lopez (1969) American playwright

On her earliest influences in “JOSEFINA LÓPEZ – IN HER OWN WORDS” http://latinopia.com/latino-theater/josefina-lopez/ in Latinopia (2010 Mar 6)

“I must have told my story ill if to every physician who hears me its illustrations have not the invigorating force of moral tonics.”

Silas Weir Mitchell (1829–1914) American physician

Transaction of the College of Physicians of Philadelphia, 1887, 9: 337, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.”

Donna Tartt book The Secret History

Source: The Secret History

“I have never had trouble with conflicting interpretations of my work. Once the story is published, it belongs to the reader.”

Michael Moorcock (1939) English writer, editor, critic

Introduction (p. viii)
The Wrecks of Time aka The Rituals of Infinity (1967)

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