
1990s, Long Walk to Freedom (1995)
Speech at the Mount Olivet Baptist Church in Harlem, New York (8 September 2000), quoted in Michael Radu, "State of Disaster", National Review, 27 May 2002
2000s, 2000-2004
1990s, Long Walk to Freedom (1995)
“The colour of the skin is less important than the spirit wich moves it.”
The Last Continent (1970)
Our America (1881)
Context: There can be no racial animosity, because there are no races. The theorist and feeble thinkers string together and warm over the bookshelf races which the well-disposed observer and the fair-minded traveller vainly seek in the justice of Nature where man's universal identity springs forth from triumphant love and the turbulent hunger for life. The soul, equal and eternal, emanates from bodies of different shapes and colors. Whoever foments and spreads antagonism and hate between the races, sins against humanity.
“I do not believe that the colour of one's skin determines whether you are disadvantaged.”
Maiden Speech (1996)
“Many a dangerous temptation comes to us in fine gay colours that are but skin-deep.”
Genesis 3.
Commentaries
1950s, Loving Your Enemies (Christmas 1957)
Context: Another reason why we must love our enemies is that hate scars the soul and distorts the personality. Mindful that hate is an evil and dangerous force, we too often think of what it does to the person hated. This is understandable, for hate bring irreparable damage to its victims. We have seen its ugly consequences in the ignominious deaths brought to six million Jews by a hate-obsessed madman named Hitler, in the unspeakable violence inflicted upon Negroes by blood-thirsty mobs, in the dark horrors of war, and in the terrible indignities and injustices perpetrated against millions of God's children by unconscionable oppressors.
But there is another side which we must never overlook. Hate is just as injurious to the person who hates. Like an unchecked cancer, hate corrodes the personality and eats away its vital unity. Hate destroys a man's sense of values and his objectivity. It causes him to describe the beautiful as ugly and the ugly as beautiful, and to confuse the true with the false and the false with the true.