“I remained there [in The Netherlands, 1914-18] for the duration of the war, continuing my work of abstraction in a series of church. facades, trees, houses, etc. But I felt that I still worked as an Impressionist and was continuing to express particular feelings, not pure reality. Although I was thoroughly conscious that we can never be absolutely 'objective', I felt that one can become less and less subjective, until the subjective no longer predominates in one's work. More and more I excluded from my painting all curved lines, until finally my compositions consisted only of vertical and horizontal lines which formed crosses, each separate and detached from the other. Observing sea, sky and stars, I sought to indicate their plastic function through a multiplicity crossing verticals and horizontals.”

— Piet Mondrian

Source: Quote of Mondrian about 1914-1918; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 43

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Piet Mondrian95

Peintre Néerlandais 1872–1944

Randa Abdel-Fattah (1979) contemporary Australian writer of novels for young adults

On how it has changed for her writing in a teenager’s voice in “Randa Abdel-Fattah: Identity and emotion” https://www.writermag.com/writing-inspiration/author-interviews/randa-abdel-fattah/ in The Writer (2018 Jan 18)

“My sculpture is becoming less representational, less an outward visual copy, and so what some people would call more abstract; but only because I believe in that in this way I can present the human psychological content of my work with the greatest directness and intensity.”

Henry Moore (1898–1986) English artist

in Henry Moore on Sculpture, James, Philip, New York: Viking Press, (1967), p. 68
1955 - 1970

“If I can't do it, I will work on it until I can. If I become able to do it, I will work on it until I can do it perfectly. If I become able to do it perfectly, I will work on it until I can do it perfectly any number of times.”

Yuzuru Hanyu (1994) Japanese figure skater (1994-)

Annotation: It's unclear, whether this quote is from Hanyu himself or based on a commercial script, but it's commonly attributed to him.
Original: (ja) できなかったら、できるまでやる。できるようになったら、完璧にできるまでやる。完璧にできるようになったら、何度でも、完璧にできるまでやる。
Source: Attributed, Lines from a TV commercial for 味の素アミノバイタル (AJINOMOTO amino VITAL), released on 1 October 2014, as quoted in フィギュアスケート14-15シーズン序盤号, published on 15 November 2014 by 日刊スポーツ新聞社 (Nikkan Sports News).

“I have attempted to develop my thinking in such a way that the work I've done is not me – not to confuse my feelings with what I produced. I didn't want my work to be an exposure of my feelings. Abstract Expressionism was so lively – personal identity and painting were more or less the same, and I tried to operate the same way. But I found I couldn't do anything that would be identical with my feelings. So I worked in such a way that I could say that it's not me. That accounts for the separation.”

Jasper Johns (1930) American artist

Jasper Johns: 'I have attempted to develop my thinking', Vivien Raynor, Artnews 72 no. 3, March 1973, p. 20-22
1970s

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts. <br class="br">Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45 <br class="br">published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931 <br class="br">1930's

“The more I want to get something done, the less I call it work.”

Richard Bach (1936) American spiritual writer

Illusions : The Adventures of a Reluctant Messiah (1977)

“I feel occasionally my skull will crack, fatigue is continuous - I only go from less exhausted to more exhausted & back again.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

“Possibly I can explain my own procedure more easily. When I begin a sculpture I'm not always sure how it is going to end. In a way it has a relationship to the work before, it is in continuity with the previous work — it often holds a promise or a gesture toward the one to follow.”

David Smith (1906–1965) American visual artist (1906-1965)

1950s, Tradition and Identity' (1959)

“Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929.”

Salvador Dalí (1904–1989) Spanish artist

By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.
Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

“I felt I had I worked hard enough and I felt confident I had done the right kind of work and the right amount of work. But when you talk of preparations, the measure of success is whether it works or not. In that area, I failed completely. I did not stay the course. When you hit the right spot, the sweet spot, it feels great and you feel the preparations have been ideal, but I never got there.”

Viswanathan Anand (1969) Indian chess player

2013 World Chess Championship

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