“In the 1950's there was a kind of agreement that a good artist would do something in his picture that acknowledge the edge, but it was a question of doing something when you got to the edge. Cropping was something new. It came from photography and from w:Clement Greenberg. It was resisted as being too easy.”

— Kenneth Noland

Kenneth Noland, p. 23
Conversation with Karen Wilkin' (1986-1988)

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Kenneth Noland 28

American artist 1924–2010

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“When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do.”

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“But somewhere [during the 1950's, in East-Germany at the Art Academy] along the way we all began to notice that there was something wrong. We saw a few art magazines from the West and got a sense of another world. We began to talk about a third way between capitalism and Communism in art. I saw the work of graphic designers from Poland, the only ones [in communist area] I came across who seemed to be doing something for society but in a style that was more modern.”

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“I think working on the floor [Helen started 1951-52] came from Pollock. In other words, the whole idea of all sides of pictures being possible, bottom, top, sides of the picture came from him. And the whole idea of the painting being in a sense choreographed came from him, and that once one made a move toward the canvas surface that there was a dialectic and the surface gave you an answer back, and you gave it an answer back. But that was a Pollock notion of --.... That your plans made accidents, demanded something else and then something else hinged on something else..”

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“When you say something really unkind, when you do something in retaliation your anger increases. You make the other person suffer, and he will try hard to say or to do something back to get relief from his suffering. That is how conflict escalates.”

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“They came to sit & dangle their feet off the edge of the world & after awhile they forgot everything but the good & true things they would do someday.”

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“When it broke down, I would break down. I had to wean myself from it just to survive. I had to have interventions. People would say, ‘You’ve got to do something else.’ So that was part of it—being too dependent on this thing I couldn’t count on.”

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“Come to the edge.
We might fall.
Come to the edge.
It's too high!
COME TO THE EDGE!
And they came
And he pushed
And they flew.”

Christopher Logue (1926–2011) Poet, screenwriter, actor

Originally written for a poster advertising an Apollinaire exhibition at the ICA in 1961 or 1962, and there titled "Apollinaire Said". The poem is therefore often misattributed to Guillaume Apollinaire. (Source: Quote…Unquote Newsletter, July 1995, p. 2).
Source: "Come to the Edge", from New Numbers (London: Jonathan Cape, 1969) pp. 65-66.

“Come to the edge.
We might fall.
Come to the edge.
It's too high!
COME TO THE EDGE!
And they came
And he pushed
And they flew.”

Guillaume Apollinaire (1880–1918) French poet

Christopher Logue's poem "Come to the Edge" from New Numbers (London: Cape, 1969) pp. 65-66. It was originally written for a poster advertising an Apollinaire exhibition at the ICA in 1961 or 1962, and was titled "Apollinaire Said"; hence it is often misattributed to Apollinaire (Source: Quote…Unquote Newsletter, July 1995, p. 2).
Misattributed

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