Aram
(15 January 1990)
“And so I leave
On cruel winds
Squalling
And gusting me
Like a dead leaf
Falling.”
Et je m'en vais
Au vent mauvais
Qui m'emporte
Deçà, delà,
Pareil à la
Feuille morte.
"Chanson d'automne", line 13, from Poèmes saturniens (1866); Sorrell p. 27
Knowing Yourself: The True in the False (1996)
March 7, 1798
This was turned into Coleridge's Christabel, lines 48-50:
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can.
Diaries
“a single leaf falling
autumn is everywhere…”
Source: Echoes from the Bottomless Well (1985), p. 10
"Baruch Spinoza", as translated in Spinoza and Other Heretics: The Marrano of Reason (1989) by Yirmiyahu Yovel
Context: Time carries him as the river carries
A leaf in the downstream water.
No matter. The enchanted one insists
And shapes God with delicate geometry.
Since his illness, since his birth,
He goes on constructing God with the word.
The mightiest love was granted him
Love that does not expect to be loved.
Anything for a Quiet Life (1621), Act iii. Sc. 3. Compare: "Turn over a new leaf", Thomas Dekker, The Honest Whore, part ii, Act i. sc. 2.
The Honest Whore (1604), Part ii, Act ii. Sc. 1. Compare: "Turn over a new leaf", Thomas Middleton, Anything for a Quiet Life (1621), Act iii. Sc. 3.
“And he that will to bed go sober
Falls with the leaf in October.”
Act II, scene ii. The following well-known catch, or glee, is formed on this song: "He who goes to bed, and goes to bed sober, Falls as the leaves do, and dies in October; But he who goes to bed, and goes to bed mellow, Lives as he ought to do, and dies an honest fellow".
Rollo, Duke of Normandy, or The Bloody Brother, (c. 1617; revised c. 1627–30; published 1639)
