“As noble Art has survived noble nature, so too she marches ahead of it, fashioning and awakening by her inspiration. Before Truth sends her triumphant light into the depths of the heart, imagination catches its rays, and the peaks of humanity will be glowing when humid night still lingers in the valleys.”

Quotes in: John Sullivan Dwight (1856) Dwight's Journal of Music, Vol. 7-8, p. 12
Original: Licht senden in die Tiefen des menschlichen Herzens -- des Künstlers Beruf!; Quoted in E.W. Fritzsch (1884) Musikalisches Wochenblatt, Volume 15

Non copre abito vil la nobil luce,
E quanto è in lei d'altero e di gentile;
E fuor la maesta regia traluce
Per gli atti ancor de l'esercizio umile.
Canto VII, stanza 18 (tr. Wickert)
Gerusalemme Liberata (1581)

Statement at Oxford (24 October 1931), published in Young India Vol. 13 (1931), p. 355
1930s

Remark upon learning of the death of Eleanor Roosevelt, drawing upon the motto of the Christopher Society: "It is better to light one candle than curse the darkness." ; quoted in The New York Times (8 November 1962)

Source: City of Lost Souls

Source: The Building of the Ship (1849), Lines 375-376.

The Philosophical Emperor, a Political Experiment, or, The Progress of a False Position: (1841)
Context: A young lady, being on a visit at a noble friend's mansion, was betrayed by complaisance into an admission that she was very fond of potted sprats, though she abhorred the sight, taste, and smell of them. This little falsehood brought her into a false position as respects her noble friend, who, to oblige her young guest, provided for her nothing but potted sprats.... So the aforesaid young lady found herself suddenly seated beside a plate of sprats, with all their disgusting odours rising to her face, and their horrid forms spread out before her eyes. A moment ago, she might, with entire propriety, have declared her disgust of them; but she had taken her false position, and that was now to govern.... But here the authority ended of all external government. The chyle would not digest the intruder, nor the pylorus permit its egress The whole inner woman suffered a state of rebellion; when a new actor appeared upon the stage... in the shape of fever, first mild and gentle, then importunate and bold, then raging, and then outrageous. The fever introduced, in turn, a new agent in the shape of a physician, grave and knowing; who introduced two others more knowing still, who introduced various cathartics, diaphoretics, lancets, leeches, blisters, and glysters, which together soon introduced debility, epilepsy, and catalepsy; which, to the astonishment of no one but the doctors, introduced death, who ended the false position.

Propylaea (1798) Introduction