
By Still Waters (1906)
Canto XXXIII, lines 85–87 (tr. Ciardi).
The Divine Comedy (c. 1308–1321), Paradiso
Nel suo profondo vidi che s'interna, legato con amore in un volume, ciò che per l'universo si squaderna.
The Divine Comedy (c. 1308–1321), Paradiso
By Still Waters (1906)
Source: My Early Life: A Roving Commission (1930), Chapter 3 (Examinations), p. 27.
Fragment No. 16
Variant translations:
We dream of a journey through the universe. But is the universe then not in us? We do not know the depths of our spirit. Inward goes the secret path. Eternity with its worlds, the past and the future, is in us or nowhere.
As translated in "Bildung in Early German Romanticism" by Frederick C. Beiser, in Philosophers on Education : Historical Perspectives (1998) by Amélie Rorty, p. 294
We dream of journeys through the cosmos — Is the cosmos not then in us? We do not know the depths of our own spirit. — The mysterious path leads within. In us, or nowhere, is eternity with its worlds — the past and the future.
Blüthenstaub (1798)
Context: Imagination places the future world for us either above or below or in reincarnation. We dream of travels throughout the universe: is not the universe within us? We do not know the depths of our spirit. The mysterious path leads within. In us, or nowhere, lies eternity with its worlds, the past and the future.
these directions making between them meaningful angles, and senses, together defining one big conclusion or many. Spaces, volumes, suggested by the smallest means in contrast to their mass, or even including them, juxtaposed, pierced by vectors, crossed by speeds. Nothing at all of this is fixed. Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe. It must not be just a fleeting moment but a physical bond between the varying events in life. Not extractions, but abstractions. Abstractions that are like nothing in life except in their manner of reacting.
1930s, How Can Art Be Realized? (1932)
Letter to Henry James (ca. 1890) as quoted by Robert D. Richardson, William James: In the Maelstrom of American Modernism (2007) p. 297. Also as quoted partially by Alfred North Whitehead, Science and the Modern World (1925) p. 2.
1890s
Letter to his parents (9 March 1943), from Simon Heffer, Like the Roman. The Life of Enoch Powell (Phoenix, 1999), p. 75.
1940s
Sequence on Profane Love (posthumously published, 1927).