
Comment made to the press in 1976, quoted in The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 260
http://artdistricts.com/clandestine-culture-between-street-art-and-social-activism/
Comment made to the press in 1976, quoted in The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 260
Solo voy con mi pena
Sola va mi condena
Correr es mi destino
Para burlar la ley
Perdido en el corazón
De la grande Babylon
Me dicen el clandestino
Por no llevar papel
Pa' una ciudad del norte
Yo me fui a trabajar
Mi vida la dejé
Entre Ceuta y Gibraltar
Soy una raya en el mar
Fantasma en la ciudad
Mi vida va prohibida
Dice la autoridad
Clandestino, song about the undocumented migrants.
Clandestino (1998)
Quoted in "Gene Kelly's Musical Memories" by Rex Reed, in The Chicago Tribune (November 29, 1970)
Williams on the controversial nature of his flitting between football codes. Sonny Bill Williams regrets nothing http://www.smh.com.au/rugby-league/league-news/sonny-bill-williams-regrets-nothing-20131129-2yfvd.html, by Brad Walter, Sydney Morning Herald, dated 29 November 2013.
“Whenever I hear of culture … I release the safety catch of my Browning!”
Wenn ich Kultur höre … entsichere ich meinen Browning!
Schlageter
Liner notes for Fratres; Biographical note http://www.musicianguide.com/biographies/1608003521/Arvo-P-auml-rt.html
Context: Tintinnabulation is an area I sometimes wander into when I am searching for answers--in my life, my music, my work. In my dark hours, I have the certain feeling that everything outside this one thing has no meaning. The complex and many-faceted only confuses me, and I must search for unity. What is it, this one thing, and how do I find my way to it? Traces of this perfect thing appear in many guises--and everything that is unimportant falls away.