“When the sense of distinction and separation is absent, you may call it love.”

A Woman's Shortcomings http://www.poetryconnection.net/poets/Elizabeth_Barrett_Browning/14908, st. 5 (1850).
Context: Unless you can muse in a crowd all day
On the absent face that fixed you;
Unless you can love, as the angels may,
With the breadth of heaven betwixt you;
Unless you can dream that his faith is fast,
Through behoving and unbehoving;
Unless you can die when the dream is past —
Oh, never call it loving!

The Death of the Heart (1939)

All Will be Well (2004)

Black Manhattan, ch. 11 (1930).

Nobel lecture (2005)
Context: What is more important is that these are not separate or distinct threats. When we scratch the surface, we find them closely connected and interrelated.
We are 1,000 people here today in this august hall. Imagine for a moment that we represent the world's population. These 200 people on my left would be the wealthy of the world, who consume 80 per cent of the available resources. And these 400 people on my right would be living on an income of less than $2 per day.
This underprivileged group of people on my right is no less intelligent or less worthy than their fellow human beings on the other side of the aisle. They were simply born into this fate.
In the real world, this imbalance in living conditions inevitably leads to inequality of opportunity, and in many cases loss of hope. And what is worse, all too often the plight of the poor is compounded by and results in human rights abuses, a lack of good governance, and a deep sense of injustice. This combination naturally creates a most fertile breeding ground for civil wars, organized crime, and extremism in its different forms.
In regions where conflicts have been left to fester for decades, countries continue to look for ways to offset their insecurities or project their 'power'. In some cases, they may be tempted to seek their own weapons of mass destruction, like others who have preceded them.

the word 'mine' double underlined
version in original Dutch (citaat van een brief van Johannes Bosboom, in het Nederlands:) ..waarlijk, als ik soms van mijn werk onder de oogen krijg, dan heb ik een genre lief [kerken!], dat in den volsten zin des woords het mijne mag heten. [het woord 'mijne' tweemaal onderstreept]
Quote of Bosboom from his letter, 7 May 1865; as cited in Johannes Bosboom by H. F. W. Jeltes, 1916 http://docplayer.nl/32809950-Johannes-bosboom-synagoge-naar-de-schilderij-in-het-museum-te-dordrecht.html (translation from the original Dutch: Fons Heijnsbroek)
Bosboom's quote is referring to a formerly painted 'consistory room', he painted in Alkmaar
1860's

Source: The Thirteenth Tale

#62
1900s, Maxims for Revolutionists (1903)