“Romanticism, like the Rousseauist Swinging Sixties, misunderstands the Dionysian as the pleasure principle, when it is in fact the gross continuum of pleasure-pain. Worshiping nature and seeking political and sexual freedom, Romanticism ends in imaginative entrammelment of every kind. Perfect freedom is intolerable and therefore impossible.”

Source: Bernard Shaw in Twilight (1943), IV

Source: The Misfits: A Study of Sexual Outsiders (1988), p. 17

Ibid., p. 62
The Book of Disquiet
Original: Não o prazer, não a glória, não o poder: a liberdade, unicamente a liberdade.

transition [sic] was the avant-garde English-language magazine published in Paris 1927–1938; “A Note on Poetry”, p. 48
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

as remembered by William S. Burroughs, in: Ted Morgan, Literary Outlaw. The Life and Times of William S. Burroughs. London: W.W. Norton & Company, 2012, p. 61.

p 69.
Pornography, Men Possessing Women (1979)

"Lust Horizons: Is the Woman's Movement Pro-Sex?" (1981), No More Nice Girls: Countercultural Essays (1992)
Context: These apparently opposed perspectives meet on the common ground of sexual conservatism. The monogamists uphold the traditional wife's "official" values: emotional commitment is inseparable from a legal/moral obligation to permanence and fidelity; men are always trying to escape these duties; it's in our interest to make them shape up. The separatists tap into the underside of traditional femininity — the bitter, self-righteous fury that propels the indictment of men as lustful beasts ravaging their chaste victims. These are the two faces of feminine ideology in a patriarchal culture: they induce women to accept a spurious moral superiority as a substitute for sexual pleasure, and curbs on men's sexual freedom as a substitute for real power.

Source: Far from the Madding Crowd

Canto VI, lines 107–108 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno