Source: Tam o' Shanter (1790), Line 50
“Chorus: [We] must look beneath every stone, lest it conceal some orator ready to sting us.”
tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Thes.+529
Thesmophoriazusae (411 BC)
“Ready to split his sides with laughing.”
Source: Don Quixote de la Mancha (1605–1615), Part I, Book III, Ch. 13.
A Man From Lebanon: Nineteen Centuries Afterward
Jesus, The Son of Man (1928)
Context: You laughed for the marrow in their bones that was not yet ready for laughter;
And you wept for their eyes that yet were dry.
Your voice fathered their thoughts and their understanding.
Your voice mothered their words and their breath.
“Chorus: Under every stone lurks a politician.”
tr. in Bartlett 1968, p. 91 http://books.google.com/books?q=inauthor%3A%22John+Bartlett%22+date%3A1968-1968+%22Under+every+stone+lurks+a+politician%22 or Archive.org http://www.archive.org/stream/familiarquotatio017007mbp/familiarquotatio017007mbp_djvu.txt
Thesmophoriazusae, line 529-530
A play on the Greek proverb "Under every stone lurks a scorpion". In context, "orator" was a synonym for "politician".
Thesmophoriazusae (411 BC)
32; quote from Lacan's Le séminaire, livre VII : L'éthique de la psychanalyse, 295
The Sublime Object of Ideology (1989)
“Chorus of Furies: Living, you will be my feast, not slain at an altar”
Source: Oresteia (458 BC), Eumenides, line 305 (tr. Herbert Weir Smyth)
he cried. 'My best congratulations.'
Source: Translations, Monkey: Folk Novel of China (1942), Ch. 28 (p. 282)
“A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode.”
Source: All Tomorrow's Parties (2003), Ch. 38 : Vincent Black Lightning, p. 191
Context: If Skinner couldn't tell Fontaine a story about something, Fontaine would make up his own story, read function in the shape of something, read use in the way it was worn down. It seemed to comfort him.
Everything to Fontaine, had a story. Each object, each fragment comprising the built world. A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode. When he'd built Skinner's funicular, the elevator that crawled like a small cable car up the angled iron of the tower, when they old man's hip had gotten too bad to allow him to easily climb, Fontaine had a story about the derivation of each piece. He wove their stories together, applied electricity: the thing rose, clicking, to the hatch in the floor of Skinner's room.
tr. in Bartlett 1968, p. 91 http://books.google.com/books?q=inauthor%3A%22John+Bartlett%22+date%3A1968-1968+%22Full+of+wiles%2C+full+of+guile%2C+at+all+times%2C+in+all+ways%2C+are+the+children+of+Men%22 or Archive.org http://www.archive.org/stream/familiarquotatio017007mbp/familiarquotatio017007mbp_djvu.txt
Birds, line 451-452
Compare the earlier-written but later-known: "The heart is deceitful above all things, and desperately wicked", Jeremiah, 17:9 KJV Bible http://www.biblegateway.com/passage/?search=Jeremiah+17:9&version=9.
Birds (414 BC)
