“While this bourgeois order found its rich—and even affirmative—representation in art and literature, … it remained an order which was over-shadowed, broken, refuted by another dimension which was irreconcilably antagonistic to the order of business, indicting it and denying it. And in the literature, this other dimension is represented not by the religious, spiritual, moral heroes (who often sustain the established order) but rather by such disruptive characters as the artist. the prostitute, the adulteress, the great criminal and outcast, the warrior, the rebel-poet, the devil, the fool—those who don't earn a living, at least not in an orderly and normal way. To be sure, these characters have not disappeared from the literature of advanced industrial society, but they … perform a function very different from and even contrary to that of their cultural predecessors. They are no longer images of another way of life but rather freaks or types of the same life, serving as an affirmation rather than negation of the established order.”

— Herbert Marcuse, book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 58-59

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Herbert Marcuse105

German philosopher, sociologist, and political theorist 1898–1979

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“[Art] can speak its own language only as long as the images are alive which refuse and refute the established order.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), p. 62

“They [great works of literature] are invalidated not because of their literary obsolescence. Some of these images pertain to contemporary literature and survive in its most advanced creations. What has been invalidated is their subversive force, their destructive content—their truth. In this transformation, they find their home in everyday living. The alien and alienating oeuvres of intellectual culture become familiar goods and services. Is their massive reproduction and consumption only a change in quantity, namely, growing appreciation and understanding, democratization of culture? The truth of literature and art has always been granted (if it was granted at all) as one of a “higher” order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism, where the most contradictory works and truths peacefully coexist in indifference. Prior to the advent of this cultural reconciliation, literature and art were essentially alienation, sustaining and protecting the contradiction—the unhappy consciousness of the divided world, the defeated possibilities, the hopes unfulfilled, and the promises betrayed. They were a rational, cognitive force, revealing a dimension of man and nature which was repressed and repelled in reality.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 60-61

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Theodore Wilbur Anderson (1918–2016) American statistician

T. W. Anderson. The Statistical Analysis of Time Series http://books.google.com/books?hl=nl&lr=&id=rCOzXIC8ZLkC&oi=fnd&pg=PR11, (1971/2011), p. 1. Introduction; Cited in: American Sociological Association (1974), Sociological Methodology, p. 310

“Through art then, one finally establishes contact with reality: that is the great discovery. Here all is play and invention; there is no solid foothold from which to launch the projectiles which will pierce the miasma of folly, ignorance and greed. The world has not to be put in order: the world is order incarnate. It is for us to put ourselves in unison with this order, to know what is the world order in contradistinction to the wishful-thinking orders which we seek to impose on one another. The power which we long to possess, in order to establish the good, the true and the beautiful, would prove to be, if we could have it, but the means of destroying one another. It is fortunate that we are powerless.”

Henry Miller (1891–1980) American novelist

Source: Miller, H. (1969). “Creation,” The Henry Miller Reader. New York: New Directions Publishing Corporation. p.33.

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“The greatest masterpiece in literature is only a dictionary out of order.”

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“Law and order represents the largest circle within which is the next circle representing public order and the smallest circle represents security of State. It is then easy to see that an Act may affect law and order but not public order, just as an act may affect public order but not security of the State.”

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He explained the intricate relationship of the concepts of law and order, public order and the security of the State, in a particular case.
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“A human society comes together by a general agreement in order to obey its kings. So in a truly well-ordered regime there ought to be an election of the ruler himself, by which the ruler is set up as the judge of those who choose him. Well-ordered and correct lordships and honors, then, are established by election, and so also are general judges established over those who elect them.”

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“In the order of literature, as in others, there is no act that is not the coronation of an infinite series of causes and the source of an infinite series of effects.”

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Herbert Marcuse105

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