“The Bourgeois who has religious feelings sees very clearly the absolute necessity of serving two masters at the same time in order to achieve success in his business, which naturally comes before everything else.”

Source: Pilgrim of the Absolute (1947), p. 113

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Léon Bloy22

French writer, poet and essayist 1846–1917

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“Religious ideas have sprung from the same need as all the other achievements of culture: from the necessity for defending itself against the crushing supremacy of nature.”

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“Before all masters, necessity is the one most listened to, and who teaches the best.”

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La nécessité est, d’ailleurs, de tous les maîtres, celui qu’on écoute le plus et qui enseigne le mieux.
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“Art today is an absolutely secondary matter. Anyone who is able to look further than the walls of his own studio can see this... All the same, art is a business that demands a very clear decision from anyone who undertakes it. It is not immaterial where you stand in this business... Are you on the side of the exploiters or on that of the masses, who want to wring the exploiters' necks?”

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“I feel an unhappiness which almost dismembers me, and at the same time am convinced of its necessity”

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“What I see in Nature is a magnificent structure that we can comprehend only very imperfectly, and that must fill a thinking person with a feeling of humility. This is a genuinely religious feeling that has nothing to do with mysticism.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

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Context: I have never imputed to Nature a purpose or a goal, or anything that could be understood as anthropomorphic. What I see in Nature is a magnificent structure that we can comprehend only very imperfectly, and that must fill a thinking person with a feeling of "humility." This is a genuinely religious feeling that has nothing to do with mysticism.

“While this bourgeois order found its rich—and even affirmative—representation in art and literature, … it remained an order which was over-shadowed, broken, refuted by another dimension which was irreconcilably antagonistic to the order of business, indicting it and denying it. And in the literature, this other dimension is represented not by the religious, spiritual, moral heroes (who often sustain the established order) but rather by such disruptive characters as the artist. the prostitute, the adulteress, the great criminal and outcast, the warrior, the rebel-poet, the devil, the fool—those who don't earn a living, at least not in an orderly and normal way. To be sure, these characters have not disappeared from the literature of advanced industrial society, but they … perform a function very different from and even contrary to that of their cultural predecessors. They are no longer images of another way of life but rather freaks or types of the same life, serving as an affirmation rather than negation of the established order.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 58-59

“The Bourgeois who has religious feelings sees very clearly the absolute necessity of serving two masters at the same time in order to achieve success in his business, which naturally comes before everything else.”

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