“Sound and talking undoubtedly increase the entertainment value of a picture. There is a distinct conflict, however, between a pictorial and sound elements, which cannot be entirely avoided until third dimensional pictures are made.”

— William Moulton Marston

Jill Lepore, The Secret History of Wonder Woman (2014), p. 139.

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William Moulton Marston 21

American psychologist, lawyer, inventor and comic book writ… 1893–1947

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“I started to introduce letters into my pictures [his first collage art]. These were forms which could not be deformed, because, being two-dimensional, they existed outside three-dimensional space; their inclusion in a picture allowed a distinction to be made between objects which were situated in space and those which belonged outside space”

Georges Braque (1882–1963) French painter and sculptor

the letters
Source: posthumous quotes, Braque', (1968), p. 68

“The work of art should be entirely conceived and formed by the mind before its execution. It should receive nothing from Nature’s formal properties or from sensuality or sentimentality... The picture should be constructed entirely from purely plastic elements, that is to say, planes and colours. A pictorial element has no other significance than 'itself', and therefore the picture has no other significance than 'itself.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from the first and only! issue of the art-magazine 'Art Concret', Paris 1930
1926 – 1931

“Finally it should be noted that the picture education, especially the pictorial statistics, are of international importance. Words carry more emotional elements than set pictures, which can be observed by people of different countries, different parties without any protest; Words divide, pictures unite.”

Otto Neurath (1882–1945) austrian economist, philosopher and sociologist

Otto Neurath (1931), "Bildstatistik nach Wiener Methode", Die Volksschule 27 (1931): 569 ; Translated and cited in Sybilla Nikolow (2013) "‘Words Divide, Pictures Unite.’Otto Neurath’s Pictorial Statistics in Historical Context."
1930s

“I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be.”

Akira Kurosawa (1910–1998) Japanese film maker

On the style of the film Rashomon, as quoted in The Films of Akira Kurosawa (1998) by Donald Richie, 3rd edition, p. 79
Context: I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be. At any rate I wanted to restore some of this beauty. I thought of it, I remember in this way: one of techniques of modern art is simplification, and that I must therefore simplify this film.

“Listen to the secret sound, the real sound, which is inside you. The one no one talks of speaks the secret sound to himself, and he is the one who has made it all.”

Kabir (1440–1518) Indian mystic poet

“To all, proportioned terms he must dispense,
And make the sound a picture of the sense.”

Christopher Pitt (1699–1748) English poet

Book III, p. 103
Vida's Art of Poetry (1725)

“To all, proportioned terms he must dispense,
And make the sound a picture of the sense.”
Haud satis est illis utcunque claudere versum, Et res verborum propria vi reddere claras; Omnia sed numeris vocum concordibus aptant, Atque sono, quaecunque canunt, imitantur.

Marco Girolamo Vida (1485–1566) Italian bishop

Book III, line 365. Compare:
'Tis not enough no harshness gives offense;
The sound must seem an echo to the sense.
Alexander Pope, An Essay on Criticism, Part II, line 164
De Arte Poetica (1527)
Context: Tis not enough his verses to complete,
In measure, numbers, or determined feet;
Or render things, by clear expression bright,
And set each object in a proper light:
To all, proportioned terms he must dispense,
And make the sound a picture of the sense.

“Out of the nowhere of the dimensionless state comes the differentiation of the sound of the trumpet in the dimensional state, in the now here of the dimensional state. That sound is generated first in the mouthpiece of the trumpet, and the vibration is taken up by the air contained in the whole trumpet and by the trumpet itself. This portrayal indicates a oneness, first of all between the trumpeter and the trumpet; and then the oneness between the air (the substance in the trumpet), the trumpet itself, and the sound that is being propagated.”

Martin Cecil, 7th Marquess of Exeter (1909–1988) Marquess of Exeter

The Third Sacred School, Volume 2, Chapter 73
As of a Trumpet, On Eagle's Wings, The Third Sacred School

“For even the painter himself cannot be fully aware of the way in which the picture gets made”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)
Context: For even the painter himself cannot be fully aware of the way in which the picture gets made: there is a wide area of the unpredictable in the act of pushing paint about in the definition of an image.

“You'll be much better equipped for a long life in pictures if you have a sound theatrical background.”

Irene Dunne (1898–1990) American actress

If You Want Success (Screenland Interview) (1961)

“Sound and talking undoubtedly increase the entertainment value of a picture. There is a distinct conflict, however, between a pictorial and sound elements, which cannot be entirely avoided until third dimensional pictures are made.”

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William Moulton Marston 21

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