“Where is Winnie the Pooh without it's illustrations?”

The Analects, The Great Learning
Context: What the great learning teaches, is to illustrate illustrious virtue; to renovate the people; and to rest in the highest excellence.
The point where to rest being known, the object of pursuit is then determined; and, that being determined, a calm unperturbedness may be attained to. To that calmness there will succeed a tranquil repose. In that repose there may be careful deliberation, and that deliberation will be followed by the attainment of the desired end.

Source: The Fairy Tale of My Life: An Autobiography

Section 2, member 1, subsection 2.
The Anatomy of Melancholy (1621), Part III

The Art of Fiction http://public.wsu.edu/~campbelld/amlit/artfiction.html (1884)

"Points of Character", p. 37.
Faraday as a Discoverer (1868)
Context: A point highly illustrative of the character of Faraday now comes into view. He gave an account of his discovery of Magneto-electricity in a letter to his friend M. Hachette, of Paris, who communicated the letter to the Academy of Sciences. The letter was translated and published; and immediately afterwards two distinguished Italian philosophers took up the subject, made numerous experiments, and published their results before the complete memoirs of Faraday had met the public eye. This evidently irritated him. He reprinted the paper of the learned Italians in the Philosophical Magazine accompanied by sharp critical notes from himself. He also wrote a letter dated Dec. 1,1832, to Gay Lussac, who was then one of the editors of the Annales de Chimie in which he analysed the results of the Italian philosophers, pointing out their errors, and' defending himself from what he regarded as imputations on his character. The style of this letter is unexceptionable, for Faraday could not write otherwise than as a gentleman; but the letter shows that had he willed it he could have hit hard. We have heard much of Faraday's gentleness and sweetness and tenderness. It is all true, but it is very incomplete. You cannot resolve a powerful nature into these elements, and Faraday's character would have been less admirable than it was had it not embraced forces and tendencies to which the silky adjectives "gentle" and "tender" would by no means apply. Underneath his sweetness and gentleness was the heat of a volcano. He was a man of excitable and fiery nature; but through high self-discipline he had converted the fire into a central glow and motive power of life, instead of permitting it to waste itself in useless passion. "He that is slow to anger" saith the sage, "is greater than the mighty, and he that ruleth his own spirit than he that taketh a city." Faraday was not slow to anger, but he completely ruled his own spirit, and thus, though he took no cities, he captivated all hearts.

Studies in Greek and Roman History, Alexander the Great and the Loneliness of Power, 1964 p. 204
Context: After fighting, scheming and murdering in pursuit of the secure tenure of absolute power, he found himself at last on a lonely pinnacle over an abyss, with no use for his power and security unattainable. His genius was such that he ended an epoch and began another - but one of unceasing war and misery, from which exhaustion produced an approach to order after two generations and peace at last under the Roman Empire. He himself never found peace. One is tempted to see him, in medieval terms, as the man who sold his soul to the Devil for power: the Devil kept his part of the bargain but ultimately claimed his own. But to the historian, prosaically such allegory, we must put it differently: to him, when he has done all the work - work that must be done, and done carefully - of analysing the play of faction and the system of government, Alexander illustrates with startling clarity the ultimate loneliness of supreme power.

Source: The Fortune Teller

Ian Herbert North, "We hope you will enjoy the show", http://www.findarticles.com/p/articles/mi_qn4158/is_20050211/ai_n9504263 The Independent, 2005-02-11
Sgt. Pepper's cover