“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”

Source: Death in Venice (1912), Ch. 2, as translated by David Luke

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Thomas Mann 159
German novelist, and 1929 Nobel Prize laureate 1875–1955

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