“In human history it seems that the idea of using a pictograph in the new function of representing sound may have occurred only three times: once in Mesopotamia, perhaps by the Sumerians, once in China, apparently by the Chinese themselves, and once in Central America, by the Mayas. (Conceivably it was invented only once, but there is no evidence that the Chinese or the Mayas acquired the idea from elsewhere.) The idea that was independently conceived by these three peoples was taken over, as were at times even the symbols themselves, though often in a highly modified form, by others who made adaptations to fit a host of totally different languages. One of the major adaptations, generally attributed to the Greeks, was the narrowing of sound representation from syllabic representation to phonemic representation (Gelb 1963; Trager 1974), after an earlier stage of mixed pictographic and syllabic writing (Chadwick 1967).”

01 Aug 90
Attack of the Deranged Mutant Killer Monster Snow Goons
Source: The Complete Calvin and Hobbes

Aaron Copland: the Life and Work of an Uncommon Man, ISBN 0805049096.

Source: What is Political Philosophy (1959), p. 73

Source: Eat, Pray, Love

Part III, Chapter VI
Les voix du silence [Voices of Silence] (1951)
Context: Once the masterpiece has emerged, the lesser works surrounding it fall into place; and it then gives the impression of having been led up to and foreseeable, though actually it is inconceivable — or, rather, it can only be conceived of once it is there for us to see it. It is not a scene that has come alive, but a latent potentiality that has materialized. Suppose that one of the world's masterpieces were to disappear, leaving no trace behind it, not even a reproduction; even the completest knowledge of its maker's other works would not enable the next generation to visualize it. All the rest of Leonardo's oeuvre would not enable us to visualize the Mona Lisa; all Rembrandt's, the Three Crosses or The Prodigal Son; all Vermeer's, The Love Letter; all Titian's, the Venice Pietà; all medieval sculpture, the Chartres Kings or the Naumburg Uta. What would another picture by the Master of Villeneuve look like? How could even the most careful study of The Embarkation for Cythera, or indeed that of all Watteau's other works conjure up L'Enseigne de Gersaint, had it disappeared?

In an interview in the Washington DC City Paper, 6 Apr 1990
Interviews

Peace Kills: America's Fun New Imperialism (2004)

To King Girvan Yuddha Bikram Shah as quoted in book History of the political and military transactions in India during the administration of the Marquess of Hastings, 1813–1823, Vol 1 https://books.google.com/books?id=Tq1jAAAAMAAJ&source=gbs_navlinks_s|
Context: Through the influence of your good fortune, and that of your ancestors, no one has yet been able to cope with the state of Nepal. The Chinese once made war upon us, but were reduced to seek peace. How then will the English be able to penetrate into the hills? Under your auspices, we shall by our own exertions be able to oppose to them a force of fifty-two lakhs of men, with which we will expel them. The small fort of Bhurtpoor was the work of man, yet the English being worsted before it, desisted from the attempt to conquer it; our hills and fastnesses are formed by the hand of God, and are impregnable. I therefore recommend the prosecution of hostilities. We can make peace afterwards on such terms as may suit our convenience.