
Malala. "I am afraid", Saturday 3 January 2009; Cited in: Malala Yousafzai: Portrait of the girl blogger http://www.bbc.co.uk/news/magazine-19899540, bbc.co.uk, 10 October 2012
Malala's diary, 2009
Part X, ch. 49 (Sylvia Barrett)
Up the Down Staircase (1965)
Malala. "I am afraid", Saturday 3 January 2009; Cited in: Malala Yousafzai: Portrait of the girl blogger http://www.bbc.co.uk/news/magazine-19899540, bbc.co.uk, 10 October 2012
Malala's diary, 2009
Elijah to Cyrano
The Other World (1657)
Context: The angel had told me in my dream that if I wanted to acquire the perfect knowledge I desired, I would have to go to the Moon. There I would find Adam's paradise and the Tree of Knowledge. As soon as I had tasted its fruit, my mind would be enlightened with all the truths a person could know. That is the voyage for which I built my chariot.
Finally, I climbed aboard and, when I was securely settled on the seat, I tossed the magnetic ball high into the air. The chariot I had built was more massive in the middle than at the ends; it was perfectly balanced because the middle rose faster than the extremities. When I had risen to the point that the magnet was drawing me to, I seized the magnetic ball and tossed it into the air again.
" Tree at My Window http://www.poemhunter.com/poem/tree-at-my-window-2/" (1928)
1920s
"Ed Gorman Calling: We Talk to Richard Matheson" http://www.mysteryfile.com/Matheson/Interview.html (2004)
Apocalypse Descending (2002)
Context: I've always had numinous dreams, and a lot of them feature a Dionysian character I named The Boy in the Tree. He first came to me when I was seventeen: I had a dream that I was on a flat featureless plane, mist everywhere. Then there was a blinding flash of lightning, deafening thunder, and I fell to the ground. Someone reached out to touch the middle of my forehead with a finger: I opened my eyes, the mist was gone, and there he was: the boy in the tree, this beautiful demonic figure with mocking green eyes. After that he would appear in dreams, sitting up in a tree and talking to me, and I'd have this incredible wave of emotion, a feeling I've only ever had in dreams — the most amazingly intense combination of desire and loss and anticipation. Later I'd think (still dreaming) This is what I will feel when I die. And who knows? Maybe I will.
Then, while researching Winterlong, I found a reference to Dionysios of Boeotia, where the god was called the One in the Tree. So even though I rationally know there's no such thing as a Dionsyian god, or a universal unconscious, it's very, very easy for me to extrapolate them both from my own dream-experience. The roots of these myths of the dying or vegetative god are so ancient and so many that one can wander among them forever, I think, yet never find a single source. And the primary material in Greece is so fascinating and so dark — The Bacchae, what we know of the Dionysian and Eleusinian Mysteries — great stuff for writers.
For me personally, of course, Dionysos embodies all the themes that have always preoccupied me: mutable sexual identity, altered states of consciousness; madness, the theater, ecstacy.
"Questions and Answers for the Governor" https://www.digitalarchives.wa.gov/governorlocke/kids/questions.htm
Grundlagen der Analysis [Foundations of Analysis] (1930) Preface for the Teacher, as quoted by Eli Maor, Trigonometric Delights (2013)