“Mrs Prentice: You put me in an impossible position.
Nick: No position is impossible when you're young and healthy.”

— Joe Orton

What the Butler Saw (1969), Act I

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Joe Orton 50

English playwright and author 1933–1967

Joe Orton (1933–1967) English playwright and author

What the Butler Saw (1969), Act I

“Nick: I've also found someone to take an option on the photographs.
Mrs Prentice: What photographs?
Nick: I had a camera concealed in the room.
Mrs Prentice: When I gave myself to you the contract didn't include cinematic rights.
Nick: I'd like a hundred quid for the negatives. You've got until lunchtime.
Mrs Prentice: I shall complain to the manager.
Nick: It will do you no good. He took the photographs.
Mrs. Prentice: Oh, this is scandalous! I'm a married woman.
Nick: You didn't behave like a married woman last night.”

Joe Orton (1933–1967) English playwright and author

What the Butler Saw (1969), Act I

“Our economic system puts us in a position where we can follow Christ's maxim, so impossible for you, to 'take no thought for the morrow.'”

Edward Bellamy book Equality

Equality (1897)

“It is impossible to carry the American people along with you on a program of caution to forestall a threatening position.”

Harold L. Ickes (1874–1952) American politician

The Prize (1993 Edition) by Daniel Yergin. Original source was Roosevelt's papers, as listed in The Prize's Bibliography.

“The POSITIVE THINKER sees the INVISIBLE, feels the INTANGIBLE, and achieves the IMPOSSIBLE.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Source: My Early Life, 1874-1904

“It’s about the positing of something impossible—whether not-yet-possible or never-possible—and then taking that impossibility and granting it its own terms and systematicity.”

China Miéville (1972) English writer

Interview with Joan Gordon
Context: There’s simultaneously something rigorous and something playful in genre. It’s about the positing of something impossible—whether not-yet-possible or never-possible—and then taking that impossibility and granting it its own terms and systematicity. It’s carnivalesque in its impossibility and overturning of reality, but it’s rationalist in that it pretends it is real. And it’s that second element which I think those who dip their toes in the SF pond so often forget. They think sf is “about” analogies, and metaphors, and so on. I refute that—I think that those are inevitable components, but it’s the surrendering to the impossible, the weird, that characterizes genre. Those flirting with SF don’t surrender to it; they distance themselves from it, and have a neon sub-text saying, “It’s okay, this isn’t really about spaceships or aliens, it’s about real life,” not understanding that it can be both, and would do the latter better if it was serious about the former.