
Quoted in: Guy Brett, Hayward Gallery, Museu d'Art Contemporani (Barcelona, Spain) (2000) Force fields: phases of the kinetic. p. 250.
Quotes, 1950's, Static static, static !, 1959
Baler Twine
Quoted in: Guy Brett, Hayward Gallery, Museu d'Art Contemporani (Barcelona, Spain) (2000) Force fields: phases of the kinetic. p. 250.
Quotes, 1950's, Static static, static !, 1959
Opening Chapter
Naked Lunch (1959)
Context: Shooting PG is a terrible hassle, you have to burn out the alcohol first, then freeze out the camphor and draw this brown liquid off with a dropper—have to shoot it in the vein or you get an abscess, and usually end up with an abscess no matter where you shoot it. Best deal is to drink it with goof balls … So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish … New Orleans is a dead museum. We walk around Exchange Place breathing PG and find The Man right away. It’s a small place and the fuzz always knows who is pushing so he figures what the hell does it matter and sells to anybody. We stock up on H and backtrack for Mexico. Back through Lake Charles and the dead slot-machine country, south end of Texas, nigger-killing sheriffs look us over and check the car papers. Something falls off you when you cross the border into Mexico, and suddenly the landscape hits you straight with nothing between you and it, desert and mountains and vultures; little wheeling specks and others so close you can hear wings cut the air (a dry husking sound), and when they spot something they pour out of the blue sky, that shattering bloody blue sky of Mexico, down in a black funnel … Drove all night, came at dawn to a warm misty place, barking dogs and the sound of running water.
Minute (1 June 1940) in response to the Foreign Office's suggestion that preparations should be made for the evacuation of the Royal Family and the British Government to "some part of the Overseas Empire", quoted in Martin Gilbert, Finest Hour: Winston S. Churchill, 1939–1941 (London: Heinemann, 1983), p. 449
The Second World War (1939–1945)
reprinted in 'Zero', ed. Otto Piene and Heinz Mack, Cambridge, Mass; MIT Press 1973, p. 119
Quotes, 1960's, untitled statements in 'Zero 3', (1961)
as quoted in: Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. ed. Stiles, Kristine and Selz, Peter (LA: University of California Press, 1996), p. 405; Cited in: John D. Powell. Preserving the unpreservable: A study of destruction art in the contemporary museum. University of Leicester, 2007. p. 30
Quotes, 1960's, untitled statements in 'Zero 3', (1961)
“The island is ours. Here, in some way, we are young forever.”
Source: We Were Liars
Speech https://api.parliament.uk/historic-hansard/commons/1934/mar/08/air-estimates-1934#column_2071 in the House of Commons (8 March 1934) during the debate on the Government's White Paper on Defence that announced an increase in the Royal Air Force
The 1930s