“If the stroke of the brush is so important, it is because it expresses precisely what is not there.”
quote 1985 - from CF, 44; p. 69
Karel Appel, a gesture of colour' (1992/2009)
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Karel Appel58
Dutch painter, sculptor, and poet 1921–2006Related quotes
“My brush-strokes start in nothing and they end in nothing, and in-between you find the image.”
Karel Appel (1921–2006) Dutch painter, sculptor, and poet
Quote from 'The eye of the beholder', Carlo McCormick
Karel Appel – the complete sculptures,' (1990) not-paged
Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)
Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34 <br class="br">1880s, 1889
Berthe Morisot (1841–1895) painter from France
Quote of her notebooks about rendering, 1885-86; as cited in Berthe Morisot, ed. Delafond and Genet-Bondeville, 1997, p. 46
1881 - 1895
“A great cricketer must be an artist and express himself in his strokes.”
Margaret Hughes (1645–1719) British actress
All On A Summer's Day (1953).
Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist
'The Continuing Insult to the English Language' (The Monthly, May 2006)
Essays and reviews
Context: ... by now some of the editors and subeditors [on Fleet Street] are themselves products of the anti-educational orthodoxy by which expressiveness counts above precision. It would, if the two terms were separable. But they aren't. Beyond a certain point - and that point is reached early - precision is what expressiveness depends on.
Jon Krakauer (1954) American outdoors writer and journalist
Source: Into Thin Air: A Personal Account of the Mount Everest Disaster
Alan MacEachren (1952) American geographer
A.M. MacEachren (2004). How Maps Work: Representation, Visualization, and Design, The Guilford Press. p. 161
“What ideas are convenient to express inevitably becomes the important content of a culture.”
Neil Postman (1931–2003) American writer and academic
Ch 1: Medium is the Metaphor, p. 7
Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985)