
The Visible and the Invisible, trans. A. Lingis (Evanston: 1968), p. 135
Source: Negin (1971), p. 57
The Visible and the Invisible, trans. A. Lingis (Evanston: 1968), p. 135
Interview by Iara Lee for the film Modulations http://www.furious.com/perfect/stockhauseninterview.html (August 1997)
Attributed
“No opera plot can be sensible, for people do not sing when they are feeling sensible.”
"Notes on Music and Opera", p. 472
The Dyer's Hand, and Other Essays (1962)
Source: Art on the Edge, (1975), pp. 64-65, "Olitski, Kelly, Hamilton: Dogma and Talent"
Small Houses: Their Economic Design and Construction (1922)
Theo Jansen, quoted in: " 2015 International Kinetic Art Exhibit & Symposium - Boynton Beach, FL, USA http://intlkineticartevent.org/?page_id=107," 2015
"Nature's Living Masterpieces" in Camera Arts (July 2005)
Context: In exploring the shared language and poetic sensibilities of all animals, I am working toward rediscovering the common ground that once existed when people lived in harmony with animals. The images depict a world that is without beginning or end, here or there, past or present. I hope that the overall effect is an experience of wonder and contemplation, serenity and hope.
Remarks at Amherst College (26 October 1963)
1963
Stated in the description of Video artwork Ribolla https://artelaguna.world/videoart/ribolla.30318/ , Arte Laguna World https://artelaguna.world/. Also quoted on visual art work Sauvignon https://www.wikiart.org/en/giovanni-morassutti/sauvignon, Series Wine & Art https://www.wikiart.org/en/giovanni-morassutti/all-works#!#filterName:Series_wine-art,resultType:masonry, Wikiart.org (28 April, 2020) https://www.wikiart.org/
Source: 1910's, The Art of Noise', 1913, p. 4