from Baziote's text for a symposium in 1954; as quoted in William Baziotes – paintings and drawings, ed. Michael Preble, Peggy Guggenheim Collection, Venice, 2004, p. 18
1950s
Source: Art & Other Serious Matters, (1985), p. 271, "Being Outside"
Source: 1870s - 1880s, The Writings of a Savage (1996), p. 39: 'Huysmans and Redon', (written in 1889, published 1953)
Quote from Baziotes' text for the symposium 'The Creative process', Art Digest Vol. 28, no 8, 15; January 1954, p. 33
Baziotes is referring here to the many art-debates and exchanges between the New York Abstract Expressionist artists
1950s
“A primitive artist is an amateur whose work sells.”
As quoted in Grandma Moses, American Primitive : Forty Paintings (1947) by Otto Kallir
“The artist who uses the least of what is called imagination, will be the greatest!”
Quoted in: Giles Auty (1977) The Art of Self-Deception: An Intelligible Guide, p. 88
undated quotes
note of 13 March 1947; as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 32
1921 - 1956
“An artist is always alone - if he is an artist. No, what the artist needs is loneliness.”
Source: Tropic of Cancer
“All artists whether primitive or sophisticated, have been involved in the handling of chaos.”
Source: 1940 - 1950, The Plasmic Image 1. 1943-1945, p. 139
"A Note on Realism" in The Literary Review (25 October 1924)<!-- also in Contemporary American Criticism (1926) -->
Context: The life of reality is confused, disorderly, almost always without apparent purpose, whereas in the artist's imaginative life there is purpose. There is determination to give the tale, the song, the painting, form — to make it true and real to the theme, not to life. Often the better the job is done, the greater the confusion. I myself remember with what a shock I heard people say that one of my own books Winesburg, Ohio was an exact picture of Ohio village life. The book was written in a crowded tenement district of Chicago. The hint for almost every character was taken from my fellow-lodgers in a large rooming house, many of whom had never lived in a village. The confusion arises out of the fact that others besides practicing artists have imaginations. But most people are afraid to trust their imaginations and the artist is not.
Would it not be better to have it understood that realism, in so far as the word means reality to life, is always bad art — although it may possibly be very good journalism? Which is but another way of saying that all of the so-called great realists were not realists at all and never intended being. Madame Bovary did not exist in fact. She existed in the imaginative life of Flaubert and he managed to make her exist also in the imaginative life of his readers.
