VI. The language of Form and Colour
1910 - 1915, Concerning the Spiritual in Art, 1911
“Forensic procedure is an art form, nothing less. No, I'll go further: it's higher, more refined, than any art form. Why? Because it's real. Take just one aspect of it—say the diagrams: with all their outlines, arrows and shaded blocks they look like abstract paintings, avant-garde ones from the last century—dances of shapes and flows as delicate and skilful as the markings on butterflies' wings. But they're not abstract at all. They're records of atrocities. Each line, each figure, every angle—the ink itself vibrates with an almost intolerable violence, darkly screaming from the silence of white paper: something has happened here, someone has died.”
Source: Remainder (2005), Ch. 11.
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Tom McCarthy (writer) 8
British writer 1969Related quotes
Quoted in: Arts/Canada, Vol. 23 (1966), p. 46
Quote in: 'Plastic Art and Pure Plastic Art', Piet Mondrian (1937); in 'Documents of modern Art' ed. Robert Motherwell for Wittenborn, Schulz, New York 1945
1930's
Boisgeloup, winter 1934
Richard Friedenthal, (1963, pp. 257-258).
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154
Spirit has arrived at the age of maturity...
Quote in 'Comments on the basic of concrete painting', Paris, January 1930, in 'Art Concret', April 1930, pp. 2–4
1926 – 1931
Gilbert Perlein and Bruno Cora, Yves Klein: Long live the Immaterial, Delano Greenidge Edition, New York, 2001. p. 74
from posthumous publications
1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998