“Once upon a time men resisted the implications of actuality. That day is gone. We know now that art is the thing itself together with its extensions into superfluity. Not pop art, I hasten to say, which sneers and exaggerates. This is popular art, which simply exists. This is the age in which we unconditionally accept the unacceptable, and thus proclaim the naturalness of our artificiality.”

—  Robert Sheckley, book Dimension of Miracles

Source: Dimension of Miracles (1968), Chapter 28 (p. 187)

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Robert Sheckley114
American writer 1928–2005

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“People keep on wanting fetish figures, and things like that are very popular. That's Pop art. There was an enormous resistance to Abstract Expressionism and there still is to that school, which is not dead at all. But Pop art came as a reaction to that because kids can't paint abstract expressionism unless they're under five year of age. Because it really is tremendously hard work and it's very challenging. But the point is, people love an immediately recognizable word – if you put a word in anything, they lie it... I am not interested in culture at all. Once a work of art has gotten into the culture, its dead as far as I'm concerned. I think there is a difference between art and culture. Or as the sage once said, 'Art is what we do; culture is what is done to us.”

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“And as the ideal in the whole of Nature moves in an infinite process toward an Absolute Perfection, we may say that art is in strict truth the apotheosis of Nature. Art is thus at once the exaltation of the natural toward its destined supernatural perfection, and the investiture of the Absolute Beauty with the reality of natural existence. Its work is consequently not a means to some higher end, but is itself a final aim; or, as we may otherwise say, art is its own end. It is not a mere recreation for man, a piece of by-play in human life, but is an essential mode of spiritual activity, the lack of which would be a falling short of the destination of man. It is itself part and parcel of man's eternal vocation.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.183-4

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“It’s very important to be able to accept things, you know. Gracious acceptance is an art – an art which most of never bother to cultivate. We think that we have to learn how to give, but we forget about accepting things, which can be much harder than giving.”

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“We live in a time which has created the art of the absurd. It is our art.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

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Context: We live in a time which has created the art of the absurd. It is our art. It contains happenings, Pop art, camp, a theater of the absurd … Do we have the art because the absurd is the patina of waste…? Or are we face to face with a desperate or most rational effort from the deepest resources of the unconscious of us all to rescue civilization from the pit and plague of its bedding?

“We know from many experiences that this is what the work of art does: its life — in which we have shared the alien existences both of this world and of that different world to which the work of art alone gives us access — unwillingly accuses our lives.”

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“There is no nature which is inferior to art, the arts imitate the nature of things.”

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“Well, it [ (Pop Art ] is an involvement with what I think to be the most brazen and threatening characteristics of our culture, things we hate, but which are also powerful in their impingement on us. I think art since Paul Cezanne has become extremely romantic and unrealistic, feeding on art; it is utopian. It has had less and less to do with the world, it looks inward – neo Zen and all that. This is not so much a criticism as an obvious observation. Outside is the world; it’s there. Pop Art looks out into the world; it appears to accept its environment, which is not good or bad, but different – another state of mind.”

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“According to one mode… nature is thus denominated, viz. the first subject matter to every thing which contains in itself the principle of motion and mutation. But after another mode it is denominated form, which subsists according to definition: for as art is called that which subsists according to art, and that which is artificial; so likewise nature is both called that which is according to nature, and that which is natural. …that which is composed from these is not nature, but consists from nature; as, for instance, man. And this is nature in a greater degree than matter: for every thing is then said to be, when it is form in energy… entelecheia, rather than when it is incapacity.”

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“It is through art, and through art only, that we can realize our perfection; through art and art only that we can shield ourselves from the sordid perils of actual existence.”

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