“I have absolutely no difficulty in coming out and saying Bach and Beethoven are great composers. You must school young people into great classical music, but you must also allow them to hear other music as well. At one point classical music colonised the high ground. Now we're reaping the backlash for that.”

— Joanna MacGregor

The Times, 21/04/2006
On Classical Music

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Joanna MacGregor 38

British musician 1959

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“I don't really go along with this sense that you sometimes pick up - that is, classical music is superior to everything else. I think classical music is a very great music form, but I can also think of other great music forms. And certainly within each field, you have absolute geniuses operating. Over the years, I've tried to bring together different people from different fields, and I do try to put Bach and Beethoven next to other types of musicians.”

Joanna MacGregor (1959) British musician

Denver Post, 18/02/2005
On Classical Music

“There are certain devices that one uses in Romantic music that are appropriate only for Romantic or subsequent music. If you take those devices and apply them to earlier music, then it’s totally inappropriate, and it makes the Classical music sound silly. However, if you were to use what you might call ‘Classical devices’ on Romantic music, historically, that would be correct! It very often benefits Romantic music, which is sometimes rather disjunctive, rather shapeless in comparison with Classical symphonic or sonata form. Romantic music very often benefits from that tighter organization that you get from Classical music.”

Leon Fleisher (1928) American conductor and pianist

Interview with pianist Leon Fleisher http://www.examiner.com/article/interview-with-pianist-leon-fleisher by Elijah Ho (October 1, 2014)

“You see, it is not enough to be a great composer. To write music like that you must be a chosen instrument of God.”

Dinu Lipatti (1917–1950) Pianist, Composer

Listening Beethoven's F minor Quartet; Quoted by Walter Legge, in Walter Legge: Words and Music (1998) edited by Alan Sanders

“We're really not very good about putting music in a social and political context, particularly classical music. It's all sort of above everything. But in South Africa, everything is politicised. You play a piece of classical music out there and you are making a real cultural statement. Or you play with a marimba band and you are saying something else. I think that's the way things should be. The way people write about music makes it seem completely devoid of social context. And audiences drift away as a result.”

Joanna MacGregor (1959) British musician

Financial Times, 11/11/1999
On Classical Music

“The aesthetic dimensions of science, like that of great classical music, are evident to the aficionado.”

Varadaraja V. Raman (1932) American physicist

page 299
Truth and Tension in Science and Religion

“Chopin absolutely was influenced by Bach. We know that before Chopin himself performed in concert, he didn’t play anything other than Bach. His own Preludes are a reference to the Well-Tempered Clavier of Bach, and all Chopin’s students had to play Bach. In whole, Chopin admired Bach most of all composers, and it was nothing less than the Well-Tempered Clavier itself that was his musical diary. I also have said that Chopin is the crowning and climax of piano-playing. It’s something so unique, all-affecting in emotionalism, musical architecture, and structure, that all past giants are present in it: Bach and Mozart. Chopin’s elegance is so singular, that again you need much experience to convey his music in the real and original style. The question of rubato is very sensitive: It’s nothing arbitrary, but much more something well calculated and well proportioned, something that is integrated in the classical strength of form, which is constructed on the profound knowledge of the polyphonic and contrapuntal structures of Bach and Mozart. Whether the Goldbergs may relate to this question? Absolutely! I again want to mention a certain and special term: jeu perlé.”

Burkard Schliessmann classical pianist

Without this you can’t play Chopin, you can’t play Mozart, and lastly absolutely not the Goldbergs.
Talkings on Bach

“Classical music has struggled to keep up. Unlike any other art form, it keeps on looking backwards all the time. It used to have a real museum culture. Then it went: "Oh my God, what are we going to do? Call for Nigel Kennedy. Quick!" Classical musicians have got to change or die,' she asserts strongly, 'but they just don't know how to. Audiences for classical music have dropped. The old blue rinse audience is dying out, and young people aren't coming in.”

Joanna MacGregor (1959) British musician

On Classical Music

“Most people don’t listen to classical music at all, but to rock-and-roll or hillbilly songs or some album named Music To Listen To Music By…”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, p. 12
A Sad Heart at the Supermarket: Essays & Fables (1962)

“This is an absolute deep contrast to Chopin, who found himself favoring a classical form of musical essence. He needs to bring nothing in from outside, the music is nearly ‘absolute.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

“Well there is a lot of great music out there but sometimes you have to dig a little deeper to find it.”

Pete Yorn (1974) American musician

" Suicide Girls Interview http://suicidegirls.com/interviews/Pete+Yorn/" (2003)

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Joanna MacGregor 38

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