“The tyrant now
Trusts not to men: nightly within his chamber
The watch-dog guards his couch, the only friend
He now dare trust.”

— Joanna Baillie

Ethwald (1802), Part II, Act V, scene 3.

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Joanna Baillie 10

Scottish poet and dramatist 1762–1851

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

The Golden Ass (1999)
Context: He sets a thief to guard his purse
Who trusts a dial with his hours
Or bids a sand-glass bleed away his nights,
His days, his loves, his pleasures and his powers.
The burthen of his years
Is Time's soft footfall, Time's soft
Falling
Through his joys and tears.

“Trusting no man as his friend, he could not recognize his enemy when the latter actually appeared.”

Nathaniel Hawthorne book The Scarlet Letter

Source: The Scarlet Letter (1850), Chapter X: The Leech and His Patient

“When Sinatra sits to dine, his trusted friends are close; and no matter where he is, no matter how elegant the place may be, there is something of the neighborhood showing because Sinatra, no matter how far he has come, is still something of the boy from the neighborhood — only now he can take his neighborhood with him.”

Gay Talese (1932) American writer

"Frank Sinatra Has a Cold" (Esquire, April 1966)

“The soldier, be he friend or foe, is charged with the protection of the weak and unarmed. It is the very essence and reason for his being. When he violates this sacred trust, he not only profanes his entire cult but threatens the very fabric of international society. The traditions of fighting men are long and honorable. They are based upon the noblest of human traits—sacrifice.”

Douglas MacArthur (1880–1964) U.S. Army general of the army, field marshal of the Army of the Philippines

From a 1946 statement by MacArthur confirming the death sentence imposed by a U. S. military commission on Japanese General Tomoyuki Yamashita, as quoted in MacArthur's Reminscences (McGraw-Hill, 1964) p. 295. Also used as the epigraph to Telford Taylor's Nuremberg and Vietnam: An American Tragedy (New York: Bantam, 1970).
1940s

“Egmont:
The Egmont of yon city — he is proud,
And cold, and stern, and sorrowful. He keeps
His counsel to himself. He wears a brow
That is a smiling shadow to his heart :
Perplexed with seeming mirth, that shroudeth care.
Exalted by a giddy populace,
That know not what they laud, or what they seek.
Moving 'mid those who understand him not;
Whom he has naught in common with : and worn
By furious guarding 'gainst familiar friends
Who seem, yet are not. Watched, suspected, feared;
Wearied with labour, which hath neither end
Nor yet reward; but only distant hope.
Such is the Egmont of the field and state.
But thine beloved : he is happy, frank,
Open, and known to that most dear of hearts —
Which he knows, too, and trusts it as his own.
Calm, deeply joyful; such is Egmont now.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (28th February 1835)
Translations, From the German

“So live, that when thy summons comes to join
The innumerable caravan which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

Source: Thanatopsis (1817–1821), l. 73. Note: The edition of 1821 read, "The innumerable caravan that moves / To the pale realms of shade, where each shall take".