“To speak from a particular place and time is not provincialism but part of a writer’s identity.”

On his blog, talking about genre http://www.danielabraham.com/?p=160
Context: I think that the successful genres of a particular period are reflections of the needs and thoughts and social struggles of that time. When you see a bunch of similar projects meeting with success, you’ve found a place in the social landscape where a particular story (or moral or scenario) speaks to readers. You’ve found a place where the things that stories offer are most needed.
And since the thing that stories most often offer is comfort, you’ve found someplace rich with anxiety and uncertainty. (That’s what I meant when I said to Melinda Snodgrass that genre is where fears pool.)

Introduction to Shatterday (1980), p. 2
Context: I don't know how you perceive my mission as a writer, but for me it is not a responsibility to reaffirm your concretized myths and provincial prejudices. It is not my job to lull you with a false sense of the rightness of the universe. This wonderful and terrible occupation of recreating the world in a different way, each time fresh and strange, is an act of revolutionary guerrilla warfare. I stir the soup. I inconvenience you. I make your nose run and your eyeballs water.

“The International Highway to Hell,” http://www.antiwar.com/mercer/?articleid=5117 Antiwar.com, March 9, 2005.
2000s, 2005

Source: Kim Johnson Gross, ‎Jeff Stone, ‎Julie V. Iovine (1993) Home. p. 43.

Tradition and the Individual Talent (1919)
Context: The historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.

On the theme that she most explores in “Art Talk with Playwright Katori Hall” https://www.arts.gov/art-works/2015/art-talk-playwright-katori-hall (National Endowment of the Arts; 2015 May 28)

Source: According to the Rolling Stones