“I now began to search for a new path in art [from 1914, with the outbreak of World War 1. ]. It was a major task. I understood that I did not have to paint what I saw, not even what I felt, but only that which lived within me, in my soul. To put it in symbolic terms, it is like this: I felt within myself, within my breast, the keyboard of an organ and I had to make it resonate. And the nature that was in front of me served me only as a prompter. And that was a key that unlocked this organ and made it resonate. In the beginning it was very difficult. But little by little, it became easy for me to use colours and forms to find what was within my soul.”

—  Alexej von Jawlensky

In his letter, 12 June, 1938 to P. Willibrord Verkade, as quoted in Alexej von Jawlensky, der Maler und Mensch, , Clemens Weiler; Wiesbaden 1955, pp. 39 ff
1936 - 1941

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I now began to search for a new path in art [from 1914, with the outbreak of World War 1. ]. It was a major task. I und…" by Alexej von Jawlensky?
Alexej von Jawlensky photo
Alexej von Jawlensky23
Russian painter 1864–1941

Related quotes

Alexej von Jawlensky photo

“I knew that I must paint not what I saw, but only what was in me, in my soul. Figuratively speaking, it was like this: In my heart I felt as if there were an organ, which I had to sound. And nature, which I saw before me, only prompted me. And that was a key that unlocked this organ and made it sound... They are songs without words.”

Alexej von Jawlensky (1864–1941) Russian painter

from: 'Lebenserinnerungen', 1938
Source: 1936 - 1941, Life Memories' (1938), p. 186

Parker Palmer photo

“When the gift I give to the other is integral to my own nature, when it comes from a place of organic reality within me, it will renew itself—and me—even as I give it away. Only when I give something that does not grow within me do I deplete myself and harm the other as well, for only harm can come from a gift that is forced, inorganic, unreal.”

Parker Palmer (1939) American theologian

Source: Let Your Life Speak: Listening for the Voice of Vocation (1999), pp. 49-50

Halldór Laxness photo

“I have always felt that I was different from others. I felt it when I was small. I felt that there was a soul in me. I saw the world from a height of many thousand meters. Even when I was thrashed it was of no concern to me; I could tuck Reykjavik under my arm and go away with it.”

Halldór Laxness book The Atom Station

Brilliantine
Atómstöðin (The Atom Station) (1948)

Emily Dickinson photo

“I HIDE myself within my flower
That wearing on your breast,
You, unsuspecting, wear me too—
And angels know the rest.

I hide myself within my flower,
That, fading from your vase,
You, unsuspecting, feel for me
Almost a loneliness…”

Emily Dickinson book The Complete Poems of Emily Dickinson

Source: The Complete Poems of Emily Dickinson

Alexej von Jawlensky photo

“I painted these 'Variations' [of landscapes] for some years and then I found it necessary to find form for the face, because I had come to understand that great art can only be painted with religious feeling. And that, I could only bring to the human face. I understood that the artist must express through his art, in forms and colours, the divine in him. Therefore a work of art is God made visible and art is 'a longing for God'.
I painted 'faces' for many years. I sat in my studio and painted, and I did not need nature to prompt me. It was enough for me to immerse myself in myself, to pray and prepare my soul to attain a religious state..”

Alexej von Jawlensky (1864–1941) Russian painter

In a letter to the Dutch Fauvist painter Father Verkade, 12 June 1938; as quoted in Alexej Jawlensky, Jürgen Schultze; M. DuMont Schauberg, Cologne 1970, p. 39
1936 - 1941

Marc Chagall photo

“It's only my town (Chagall was born in Vitebsk), mine, which I have rediscovered. I come back to it with emotion. It was at that time that I painted my Vitebsk series of 1914. (Chagall couldn't go back to Paris because of the outbreak of the first World War in 1914) I painted everything that met my eyes. I painted at my window; I never walked down the street without my box of paint.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 31
1920's, My life (1922)

Hermann Hesse photo

“Then came those years in which I was forced to recognize the existence of a drive within me that had to make itself small and hide from the world of light. The slowly awakening sense of my own sexuality overcame me, as it does every person, like an enemy and terrorist, as something forbidden, tempting, and sinful. What my curiosity sought, what dreams, lust and fear created — the great secret of puberty — did not fit at all into my sheltered childhood. I behaved like everyone else. I led the double life of a child who is no longer a child. My conscious self lived within the familiar and sanctioned world; it denied the new world that dawned within me. Side by side with this I lived in a world of dreams, drives and desires of a chthonic nature, across which my conscious self desperately built its fragile bridges, for the childhood world within me was falling apart. Like most parents, mine were no help with the new problems of puberty, to which no reference was ever made. All they did was take endless trouble in supporting my hopeless attempts to deny reality and to continue dwelling in a childhood world that was becoming more and more unreal. I have no idea whether parents can be of help, and I do not blame mine. It was my own affair to come to terms with myself and to find my own way, and like most well-brought-up children, I managed it badly.”

Hermann Hesse book Demian

Source: Demian (1919), p. 135

Fyodor Dostoyevsky photo

“Alas! I always loved sorrow and tribulation, but only for myself, for myself; but I wept over them, pitying them. I stretched out my hands to them in despair, blaming, cursing and despising myself. I told them that all this was my doing, mine alone; that it was I had brought them corruption, contamination and falsity. I besought them to crucify me, I taught them how to make a cross. I could not kill myself, I had not the strength, but I wanted to suffer at their hands. I yearned for suffering, I longed that my blood should be drained to the last drop in these agonies. But they only laughed at me, and began at last to look upon me as crazy. They justified me, they declared that they had only got what they wanted themselves, and that all that now was could not have been otherwise. At last they declared to me that I was becoming dangerous and that they should lock me up in a madhouse if I did not hold my tongue. Then such grief took possession of my soul that my heart was wrung, and I felt as though I were dying; and then... then I awoke.”

Fyodor Dostoyevsky book The Dream of a Ridiculous Man

Source: The Dream of a Ridiculous Man (1877), V

“As I twirled, cha-cha-ed and clapped my hands to the beat, I began to remember, for the first time in a long time, those moments I used to steal as a kid, dancing alone in my room with headphones on. Those fleeting moments when what I looked like didn’t matter, only what I felt. Only this time, I wasn’t a child anymore. There was no one who could burst in unannounced, laugh at me, punish me, force me to stop. I felt so free, so beautiful, in a way I had written off as impossible for me long ago. … My inner dancer began to emerge from the deep pit where I had kept her all this time. I found the girlhood I was never allowed.”

Kai Cheng Thom (1991) writer

What I learned, loved and lost as a trans Zumba addict (2018)

Homér photo

“Not iron, trust me,
the heart within my breast. I am all compassion.”

Homér The Odyssey (Cowper)

V. 190–191 (tr. Robert Fagles).
Odyssey (c. 725 BC)

Related topics