“Finally.... I will have finished the paintings for my uncle. I have completely reworked them since my last letter [to his mother, 5 May 1865]; originally I had included a mass of details, which, from the distance they were intended to be viewed, had a very bad effect. I have worked at breakneck speed for two weeks, and now I am rather pleased, at least with one of them.”

— Frédéric Bazille

Quote from Bazille's letter to his mother, c. 18/25 August, 1865; as cited in Impressionnism, Gary Tinterow, Henri Loyrette; Metropolitan Museum of Art, 1994, p. 329
1861 - 1865

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Frédéric Bazille 14

French painter 1841–1870

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“My dear Chantrey, - I intended long before this (but you will say, Fudge) to have written: but even now very little information have I to give you in matters of Art, for I have confined myself to the painting department at Corso; and having finished one, am about the second, and getting on with Lord E.'s, which I began the very first touch at Rome; but as the folk here talked that I would show them not, I finished a small three feet four [painting] to stop their gabbling..”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

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“I have another painting finished, a view near Rotterdam, and then another in process, and very far along. I made them from nature, that is to say I made watercolors [in open air] after which I made my [oil]-paintings.”

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“I have just finished one painting and am already at work on the preliminary drawings for the next one. I must do something in order to get rid of such habits or I won't manage to find time for any vacation. I have had this new painting in my mind since January, and must get it down on canvas.”

Wassily Kandinsky (1866–1944) Russian painter

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“By the time I was twenty-four I had constructed a complete system of philosophy. It rested on two principles: The Relativity of Things and The Circumferentiality of Man. I have since discovered that the first was not a very original discovery. It may be that the other was profound, but though I have racked my brains I cannot for the life of me remember what it was.”

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Jane Austen (1775–1817) English novelist

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“I have finished a fairly large painting, the goat; I sometimes spoke to you about my plan. I believe it has become a real painting, and very complete.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Ik heb een vrij groot schilderij af, de geit https://commons.wikimedia.org/wiki/File:Mankes_Jonge_witte_geit.jpg; over het plan daartoe sprak ik u wel eens. Het is dunkt me volkomen een schilderij geworden, en heel compleet.

Quote of Jan Mankes (1914) in a letter to A.A.M. Pauwels in The Hague; as cited by J.R. de Groot in 'De bekoring van het gewone - Het werk van Jan Mankes' https://www.dbnl.org/tekst/_ons003199001_01/_ons003199001_01_0014.php, p. 104

[https://commons.wikimedia.org/wiki/File:Mankes_Jonge_witte_geit.jpg
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“Now I have to define what I mean by "action". When a material body is transported from one point to another, it involves an action that depends on the speed of the body and on the distance it travels. However, the action is neither the speed nor the distance taken separately; rather, it is proportional to the sum of the distances travelled multiplied each by the speed at which they were travelled.”

Pierre Louis Maupertuis (1698–1759) French mathematician, philosopher and man of letters

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“To achieve the structure it takes a damn long time, so my paintings are always in work for a very long time—sometimes a year. Not that I work on them every day. I will have them, and then come back to them after a year, and also return intermittently. It’s not easily done. I am not able to do “one, two, a painting.” I try to do it very quickly, but it doesn’t work with me. I simply can’t do it. Very often people look and say, 'Ah, fantastic! That’s a beautiful painting.'”

Per Kirkeby (1938–2018) Danish artist

But the moment they are out the door I start working on it. I rework it.
In a talk with Kosinski, before 'Per Kirkeby at the Phillips', in The Phillips Collection, Washington D.C. January, 2013
Kirkeby spoke to exhibition co-curator Dorothy Kosinski about the necessity of time in the development of a painting.
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“All I can tell is that they [some small landscapes Bilders painted in Savoy, which were exhibited there] are more blatant than in my studio, and secondly that I have been honored with a pretty good review... the jury found evidence of a thoroughly study and of happy sunlight in my works. They thought that I had to cherish a lot of love for nature, to be able to show it so sensitive.... [I] can not deny that I am very pleased to find that my small paintings have been noticed favorably. And besides that, one will never forget his first review..”

Gerard Bilders (1838–1865) painter from the Netherlands

Bilder's travel to Switzerland with some other artists was the longest travel he ever made in his short life
Source: 1850's, Vrolijk Versterven' (from Bilders' diary & letters), p. 23 - quote in Bilder's letter to his maecenas Johannes Kneppelhout, from Savoy, near Geneva, Switserland, September 1858;

“Men may be divided into two types: men of words and men of action. The first speaks; the latter act. I am of the second group. I lack the means to express myself adequately. I would not be able to explain to anyone my artistic concepts. I have not yet concretised them. I never had time to reflect on them. My hours have been spent in my work.”

Antoni Gaudí (1852–1926) Catalan architect

La Razón, 1913 in: Gaudi by Gijs Van Hensbergen, introduction p.xxxii http://books.google.com/books?hl=en&id=unF5kAX0xCwC&dq=Gaudi+on+Gaudi&printsec=frontcover&source=web&ots=c0iOxQzVGj&sig=88zRY-TOlnChRUBQTHzDnrtLDEs&sa=X&oi=book_result&resnum=3&ct=result#PPR32,M1

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Frédéric Bazille 14

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