“Ships, houses, mills… in one word everything that is made by people must stand upright and be painted with care. This is actually a good presentation compared to other, less symmetrical things, like the trees, skies, etc. It doesn't create the painting, but it certainly strengthen the illusion. It's just like somebody who is neatly dressed, but whose tie is coming off. The windows of a house must be straight, a mill in a pure construction, the blades well-positioned in perspective.”

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schepen, huizen, molens eb in één woord alles, wat door menschen gemaakt is, moet recht staan en met zorg geschilderd worden. Dit staat juist zeer goed tegenover andere, minder symmetrische dingen, als boomen, luchten enz. Het maakt het schilderij wel niet, maar draagt toch bij tot de illusie. 't Is er net mee, als met iemand, die keurig gekleed is, maar wiens das los zit. De ramen van een huis moeten recht, een molen zuiver van constructie zijn, de wieken in het perspectief staan.
Quote of Roelofs; as cited by H.F.W. Jeltes, in Willem Roelofs : bizonderheden betreffende zijn leven en zijn werk, met brieven en andere bijlagen, Van Kampen, Amsterdam, 1911, pp. 86-87
undated quotes

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Ships, houses, mills… in one word everything that is made by people must stand upright and be painted with care. This i…" by Willem Roelofs?
Willem Roelofs photo
Willem Roelofs 32
Dutch painter and entomologist (1822-1897) 1822–1897

Related quotes

Paul Desmond photo

“It's like living in a house where everything's painted red.”

Paul Desmond (1924–1977) American jazz musician

On Ornette Coleman's playing
Unsourced

Daniel Levitin photo
Samuel Taylor Coleridge photo

“Poetry is certainly something more than good sense, but it must be good sense at all events; just as a palace is more than a house, but it must be a house, at least.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

9 May 1830
Table Talk (1821–1834)

Marcel Duchamp photo

“.. because his applying paint to it [the sculpture 'Painted Bronze, two painted ale cans', created by the American pré-Pop Art artist Jasper Johns ] was absolutely mechanical or, at least, as close to the printed thing as possible. It was not an act of painting; actually, the printing [or painting? ] was just like printing except it was made by hand by him. That doesn’t add a thing to it.”

Marcel Duchamp (1887–1968) French painter and sculptor

it's just the idea of imitating the beer can that is important.
Quote from 'Some late thoughts of Marcel Duchamp', an interview with Jeanne Siegel, p. 21; as quoted in 'The New York school – the painters & sculptors of the fifties' Irving Sandler, Harper & Row, Publishers, 1978, p. 194
posthumous

Chuck Palahniuk photo
Pablo Picasso photo

“I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Herschel Browning Chip (1968, p. 271).
1930s, "Conversations avec Picasso," 1934–35

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“…institutions like the House of Lords must die, like all other organic beings, when their time comes.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Letter to Alfred Austin (29 April 1888), from Paul Smith (ed.), Lord Salisbury on politics: a selection from his articles in the Quarterly Review, 1860–83 (1972), p. 39, footnote
1880s

Naum Gabo photo

“Either build functional houses and bridges or create pure art or both. Don't confuse one with the other. Such art is not pure constructive art, but merely an imitation of the machine.”

Naum Gabo (1890–1977) Russian sculptor

quote, 1919; as cited in: Ruth Latta (1948) Naum Gabo. Museum of Modern Art (New York, N.Y.), p. 18
Here Gabo publicly criticized Tatlin's design for the 'Monument to the Third International' (1919)
1918 - 1935

Roy Lichtenstein photo
Karel Appel photo

“The mill is a tool for the wind
the mill is like a human being
that escapes”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

ATV, 47; p. 183
Karel Appel, a gesture of colour' (1992/2009)

Related topics