Ludwig von Mises book Human Action
Source: Human Action (1949), Chapter XX: Interest, Credit Expansion, The Trade Cycle, § 8 : The Monetary or Circulation Theory of the Trade Cycle
Source: Money And Class In America (1989), Chapter 8, Holy Dread, p. 197-198
Ludwig von Mises book Human Action
Source: Human Action (1949), Chapter XX: Interest, Credit Expansion, The Trade Cycle, § 8 : The Monetary or Circulation Theory of the Trade Cycle
Benjamin Graham (1894–1976) American investor
Source: World Commodities and World Currencies (1944), Chapter I, The Problem of Raw Materials, p. 5
John Maynard Keynes book The Economic Consequences of the Peace
Source: The Economic Consequences of the Peace (1919), Chapter II, Section III, p. 19
“The world has not been hindered in its progress, but immensely aided in it, by England.”
Friedrich List (1789–1846) German economist with dual American citizenship
Source: The National System of Political Economy (1841), p. 365
Gurbanguly Berdimuhammedov (1957) president of Turkmenistan
http://www.khamenei.ir/EN/News/detail.jsp?id=20070616A
Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist
Opera and Humour (1991)
J. G. Ballard (1930–2009) British writer
"Introduction" to Diary of a Genius (1974) by Salvador Dalí
Context: The uneasy marriage of reason and nightmare which has dominated the 20th century has given birth to an increasingly surreal world. More and more, we see that the events of our own times make sense in terms of surrealism rather than any other view — whether the grim facts of the death-camps, Hiroshima and Viet Nam, or our far more ambiguous unease at organ transplant surgery and the extra-uterine foetus, the confusions of the media landscape with its emphasis on the glossy, lurid and bizarre, its hunger for the irrational and sensational. The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents". Voyeurism, self-disgust, the infantile basis of our fears and longings, and our need to pursue our own psychopathologies as a game — these diseases of the psyche Dali has diagnosed with dismaying accuracy. His paintings not only anticipate the psychic crisis which produced our glaucous paradise, but document the uncertain pleasures of living within it. The great twin leitmotifs of the 20th century — sex and paranoia — preside over his life, as over ours.
“That willing suspension of disbelief for the moment, which constitutes poetic faith.”
Samuel Taylor Coleridge book Biographia Literaria
Source: Biographia Literaria (1817), Ch. XIV