Source: The Palace of Illusions
In Defense of the Earth (1956), The Great Nebula of Andromeda
As quoted in Infinity and the Mind (1995) by Rudy Rucker.
opening lines
Oresteia (458 BC), Agamemnon
Innkeeper's wife
Source: A Child is Born (1942)
The Golden Violet - The Child of the Sea
The Golden Violet (1827)
X, Closing lines
The State — Its Historic Role (1897)
“Suffering is the sandpaper of our incarnation. It does its work of shaping us.”
Creation Myths (1972), Deus Faber
Context: Our whole tradition has trained us to think always of God as being outside the world and shaping its dead material in some form. But upon making a general survey of creation myths, we see that this type of God mirrors a rare and specific situation; it mirrors a state where consciousness has already markedly withdrawn, as an independent entity, out of the unconscious and therefore can turn toward the rest of the material as if it were its dead object. It also already shows a definite separation between subject and object; God is the subject of the creation and the world, and its material is the dead objects with which he deals. Naturally we must correct this viewpoint by putting it into its right context, namely, that the craftsman in primitive societies never imagined himself to be doing the work himself. Nowadays if you watch a carpenter or a smith, he is in a position to feel himself as a human being with independent consciousness, who has acquired from his teacher a traditional skill with which he handles dead material. He feels that his skill is a man-made possession, which he owns. If we look at the folklore and mythology of the different crafts in more primitive societies, we see that they have a much more adequate view of it. They all still have tales which show that; man never invented any craft or skill, but that it was revealed to him, that it is the Gods who produced the knowledge which man now uses if he does anything practical.
