“Our whole tradition has trained us to think always of God as being outside the world and shaping its dead material in some form.”

— Marie-Louise von Franz

Creation Myths (1972), Deus Faber
Context: Our whole tradition has trained us to think always of God as being outside the world and shaping its dead material in some form. But upon making a general survey of creation myths, we see that this type of God mirrors a rare and specific situation; it mirrors a state where consciousness has already markedly withdrawn, as an independent entity, out of the unconscious and therefore can turn toward the rest of the material as if it were its dead object. It also already shows a definite separation between subject and object; God is the subject of the creation and the world, and its material is the dead objects with which he deals. Naturally we must correct this viewpoint by putting it into its right context, namely, that the craftsman in primitive societies never imagined himself to be doing the work himself. Nowadays if you watch a carpenter or a smith, he is in a position to feel himself as a human being with independent consciousness, who has acquired from his teacher a traditional skill with which he handles dead material. He feels that his skill is a man-made possession, which he owns. If we look at the folklore and mythology of the different crafts in more primitive societies, we see that they have a much more adequate view of it. They all still have tales which show that; man never invented any craft or skill, but that it was revealed to him, that it is the Gods who produced the knowledge which man now uses if he does anything practical.

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Marie-Louise von Franz30

Swiss psychologist and scholar 1915–1998

Richard Middleton British musicologist

[Key Terms in Popular Music and Culture, ISBN 0631212639, Middleton, Richard, 1999]

“Each of us has that ember within him to create his own Camelot, to form his life by taste. Being different from the crowd, like quality, is not a vice. Tradition and standards shape shooting as surely as manners make the man.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

“[T]hough religious thinkers will fight fiercely to show its standpoint to be the one religion really sanctions, each religion has signposts pointing in both ways. One the one hand towards a fundamentalist, authoritarian strain that insists if you want to be faithful you have to crucify your intellect; that is to believe just because your belief is absurd. And on the other hand, each of the three western religions has a rationalist tradition… far from viewing our capacity for reason as threatening our capacity to obey god, this tradition sees thinking as its very fulfillment. There are actually some wonderful Jewish parables, which show God laughing with pleasure as human beings defeat him with a particularly good argument. That is, god would rather be impressed than right on certain Jewish rationalist traditions. So if reason is God’s gift then he meant us to use it even against him if he is wrong or hasty. On this tradition our ability to make sense of the world whether with science or through the right moral actions, is just one more proof of gods goodness.”

Susan Neiman (1955) American academic

Beyond Belief conference (November 2006)

“To radicalize the question of phenomenology is not only to aim for a pure phenomenality but to seek out the mode according to which it originally becomes a phenomenon -- the substance, the stuff, the phenomenological matter of which it is made, its phenomenologically pure materiality. That is the task of material phenomenology. Prior to this being-toward-the-outside in which everything is properly speaking placed outside of itself and in which every reality is a priori emptied and dispossessed of itself and thus becomes its contrary, an irreality, and prior to the abandonment and undoing that is called death and that would be unable to exist on its own, material phenomenology is devoted to the discovery of the reign of a phenomenality that is constructed in such a surprising way that the thought that always thinks about the world never thinks about it. To the internal structure of this originary manifestation, there belongs no Outside, no Separation, no Ek-stasis. Its phenomenological substance is not visibility. None of the categories that have been used by philosophy since the Greeks at any rate, are appropriate for it.”

Michel Henry (1922–2002) French writer

Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 2
Source: Books on Phenomenology and Life, Material Phenomenology (1990)

“I am alone with rickety materials,
the rain falls on me, and it is like me,
it is like me in its raving, alone in the dead world,
repulsed as it falls, and with no persistent form.”

Pablo Neruda (1904–1973) Chilean poet

Estoy solo entre materias desvencijadas,
la lluvia cae sobre mí, y se me parece,
se me parece con su desvarío,solitaria en el mundo muerto,
rechazada al caer, y sin forma obstinada.
Débil del Alba (Weak with the Dawn or The Dawn's Debility), Residencia I (Residence I), I, stanza 5.
Alternate translation by Donald D. Walsh:
I am alone among rickety substances,
the rain falls upon me and it seems like me,
like me with its madness, alone in the dead world,
rejected as it falls, and without persistent shape.
Residencia en la Tierra (Residence on Earth) (1933)